Portrait of an Unknown Gentleman |
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Artist | El Greco |
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Year | 1603-1607 |
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Medium | Oil on canvas |
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Dimensions | 64 cm × 51 cm (25 in × 20 in) |
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Location | Museo del Prado, Madrid |
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Portrait of an Unknown Gentleman (Spanish: Retrato de un caballero desconocido) is an oil painting by El Greco.
Painted in Toledo between 1603 and 1607, and on display at the Museo del Prado, it has been cited as a possible portrait of Miguel de Cervantes, based on the fact that the author and playwright was living near Toledo in 1604 and that he knew people within El Greco's circle of friends.[1]
It is one of a series of secular portraits of unknown gentlemen, all of them dressed in black and wearing white ruffs, against dark backgrounds, the most famous of which is El caballero de la mano en el pecho (The Nobleman with his Hand on his Chest) (ca. 1580).[2]
See also
References
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Paintings |
- Adoration of the Magi (Athens, c. 1565–1567)
- Dormition of the Virgin (1565–1566)
- Healing of the Man Born Blind
- Modena Triptych (1567–1569)
- Baptism of Christ (Heraklion, 1567–1569)
- Last Supper (1568)
- Flight into Egypt (1570)
- Annunciation
- Purification of the Temple
- The Fable (1570–1575)
- Entombment of Christ (1570–1576)
- El Soplón (1571–1572)
- Pietà (1571–1576)
- Penitent Magdalene (1576–1578)
- Saint Sebastian (1576–1579)
- Santo Domingo el Antiguo Altarpiece (1577)
- Saint Lawrence's Vision of the Madonna and Child (1577)
- Adoration of the Holy Name of Jesus (1577–1579) (preparatory sketch)
- Assumption of the Virgin (1577–1579)
- Disrobing of Christ (El Expolio) (1577–1579)
- Holy Trinity (c. 1577–1579)
- Saint Anthony of Padua (1580)
- Christ Carrying the Cross
- The Martyrdom of Saint Maurice (1580–1582)
- The Tears of Saint Peter
- Barnard Castle, 1580–1589
- Mexico City, 1587–1596
- Oslo, c. 1590
- San Diego, c. 1590–1595
- Sitges, c. 1595–1600
- Toledo, El Greco Museum, c. 1595–1600
- Washington, c. 1600–1605
- Toledo, Lerma Museum Foundation, c. 1605–1610
- Toledo Cathedral, 1620–1630
- The Immaculate Conception with Saint John the Evangelist (c. 1585)
- Saint Francis Receiving the Stigmata (Baltimore, c. 1585)
- The Burial of the Count of Orgaz (1586)
- Holy Family (1586–1588)
- Holy Face of Jesus (1586–1595)
- Saint Peter and Saint Paul
- Agony in the Garden
- Christ on the Cross Adored by Two Donors (c. 1590)
- Saint Louis (1592–1595)
- Virgin Mary (Mater Dolorosa) (c. 1594–1604)
- Holy Family (c. 1595)
- Christ Taking Leave of his Mother (1595)
- Saint Andrew and Saint Francis (1595–1598)
- Saint Francis Receiving the Stigmata (Pau, before 1595)
- Adoration of the Shepherds
- Doña María de Aragón Altarpiece (1596–1599)
- View of Toledo (1596–1600)
- Baptism of Christ (Rome, 1596–1600)
- Virgin Mary (1597)
- Saint Martin and the Beggar (1597–1599)
- The Virgin of Charity (1597–1603)
- Allegory of the Camaldolese Order (c. 1597)
- Saint John the Baptist (1597–1607)
- Saint John the Evangelist and Saint Francis (c. 1600)
- Saint Bernardino of Siena (1603)
- Nativity (1603–1605)
- Coronation of the Virgin (1603–1605)
- Marriage of the Virgin (1603–1607)
- Saint John the Evangelist (c. 1605)
- The Apparition of the Virgin to Saint Hyacinth (c. 1605–1610)
- The Immaculate Conception (1607–1613)
- Saint Peter (1608)
- View and Plan of Toledo (1608)
- Concert of Angels (1608)
- The Saviour (1608–1614)
- Saint Thomas the Apostle (1608–1614)
- Opening of the Fifth Seal (1608–1614)
- Saint Jerome (1609)
- Saint Ildefonsus (1609)
- Saint Francis and Brother Leo (1609)
- Saint James the Great (1610)
- Saint Luke (1610–1614)
- Laocoön (1610–1614)
- Saint Paul (1610–1614)
- Saint Sebastian (c.1610–1614)
- Saint Sebastian (1610–1614)
- Julián Romero and Saint Julian (1612–1614)
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- [1] On display at El Greco Museum in Toledo
- [2] On display at Museo de América in Madrid
- [3] On display at the Spanish Embassy in Paris
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Authority control databases | |
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