Till We Have Faces is the sixth album by saxophonist Gary Thomas which was recorded in 1992 and released on the JMT label.[1] As with his previous album While the Gate Is Open (1990), it features Thomas' interpretations of eight jazz standards.
Reception
The AllMusic review by Thom Jurek states, "This is Thomas' best moment on record thus far, and a casebook example of reinterpreting the jazz genre."[2] The Chicago Tribune's Jack Fuller noted "The combination of Gary Thomas' whirling dervish tenor saxophone and Pat Metheny's guitar makes this an outstanding recording".[4]
Track listing
Personnel
- Gary Thomas – tenor saxophone, soprano saxophone, flute
- Pat Metheny – electric guitar (tracks 1-6 & 8)
- Tim Murphy – piano (tracks 1, 4, 6 & 8)
- Anthony Cox – bass (tracks 1, 5 & 6), Ed Howard (tracks 2, 4, 7 & 8)
- Terri Lyne Carrington – drums (tracks 1, 2 & 4-8)
- Steve Moss – percussion (track 6)
References
- ^ Shimada, T., JMT label discography, accessed November 14, 2014
- ^ a b Jurek, T., Allmusic Review accessed November 17, 2014
- ^ Cook, Richard; Morton, Brian (2008). The Penguin Guide to Jazz Recordings (9th ed.). Penguin. p. 1396. ISBN 978-0-141-03401-0.
- ^ Fuller, J., Chicago Tribune Review, June 20, 1993
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Years given are for the recording(s), not first release, unless stated otherwise. |
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