Spirit (Earth, Wind & Fire album)

Spirit is the seventh studio album by American band Earth, Wind & Fire, released on September 28, 1976, by Columbia Records. The album rose to No. 2 on both the Billboard 200 and Top Soul Albums charts.^[1][2][3] Spirit has also been certified Double Platinum in the US by the RIAA.^[4]

"Getaway" reached No. 1 on the Billboard Hot Soul Songs chart.^[5] The single also rose to No. 12 on both the Billboard Hot 100 and Disco Action Top 30 charts.^[6][7] "Saturday Nite" peaked at No. 4 on the Billboard Hot Soul Songs chart and No. 21 on the Billboard Hot 100 chart.^[8][9] The song also reached No. 12 on Billboard's Disco Action Top 30 chart and No. 17 on the UK Pop Singles chart.^[10][11]

The band's long time collaborator Charles Stepney died in the midst of its recording sessions; Maurice White went on to mostly arrange and produce the album. The LP was entitled Spirit in dedication to Stepney.^[12]

John Abbey of Blues & Soul called Spirit "a mighty, mighty album...(displaying) the power of the nine-piece Earth Wind & Fire conglomeration."^[18] Billboard found that the album's "arrangements, songs, sweet floating vocal harmonies and punching instrumental phrases are all best described as impeccable".^[23] Joe McEwen of Rolling Stone exclaimed "Though most of Spirit maintains a high level of artistic competence, I find the new album to be like a bean-sprout salad — undeniably nutritious, but hardly filling."^[19] Craig Werner of Vibe in a 4.5/5 review, called Spirit "one of the group's defining moments" and "gospel soul for the ages".^[20] Within a 4.5/5 stars review Alex Henderson of Allmusic declared, "With That's the Way of the World having enjoyed multi-platinum success, Earth, Wind & Fire had a lot to live up to when the time came for another studio project. And the soul powerhouse didn't let anyone down (either commercially or creatively) on the outstanding Spirit."^[13] Joel Vance of Stereo Review dismissed the album opining "Maybe the members of the band are sincere in their beliefs, but they come across here as a sappy group with hackneyed arrangements, fey vocals, and songs loaded with the usual hey -baby -let's -get -it -on -in -the -cosmos twaddle."^[24] Robert Christgau of the Village Voice in B review remarked, "EW&F are the real black MOR...because the post-Sly and harmony-group usages they've had to master are so rich and resilient. Most of these songs are fun to listen to."^[17]

Music Week proclaimed "With a more spiritual, ethereal feel than the six albums they had already cut to that point, it really marks a turning point in their career and is crammed with excellent tunes."^[16] Simon Warner of PopMatters noted the album's "ear-catching repertoire...(to) confirm E,W&F as a world talent, yet its shiny production and its impeccable vocal layering lacks the surprises that Open Our Eyes provides."^[15] Rick Atkinson of The Record wrote "Any album that can hit the album charts, the single charts, and discos all at once is a guaranteed success.^[22] John Rockwell of The New York Times declared "What is most interesting about Maurice White and his musicians..is their refusal to be locked into any stylistic format. Mr. White's record will be labeled 'disco' in some quarters, and indeed parts of if, would not sound out of place in a disco. But, generally, Earth, Wind and Fire is closer to jazz, or to jazz rock, than to the thumping formulas of disco. And yet the group isn't afraid to slip in a ballad, either."^[14] Variety also found "Another solid rhythm and blues session with one of the slickest acts of the genre, Earth, Wind & Fire, which always keeps it together...A couple of instrumentals break up a lot of smooth, polished vocal instrumental trips."^[21]

Isaac Hayes called Spirit one of Earth, Wind & Fire's five essential recordings.^[25] Rick Atkinson of The Record placed Spirit at number 5 on his list of the top 15 albums of 1976.^[22] Spirit was also nominated for an American Music Award for Favorite Soul/R&B Album.^[26] A song from the album called Earth, Wind and Fire was also Grammy nominated in the category of Best Instrumental Composition.^[27]

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^[12]

• Vocals - Maurice White, Philip Bailey, Verdine White
• Piano, Keyboards - Larry Dunn, Jerry Peters
• Organ - Larry Dunn
• Moog synthesizer - Larry Dunn
• Guitar - Al McKay, Johnny Graham
• Bass - Verdine White
• Congas - Philip Bailey
• Kalimba - Maurice White
• Timbales - Maurice White
• Drums - Fred White, Ralph Johnson, Maurice White
• Percussion - Fred White, Ralph Johnson, Al McKay, Andrew Woolfolk, Verdine White, Philip Bailey, Harvey Mason
• Saxophone - Don Myrick, Andrew Woolfolk
• Trombone - George Bohanon, Louis Satterfield, Charles Loper
• Bass Trombone - Lew McCreary
• Trumpet - Oscar Brashear, Charles Findley, Michael Harris, Steve Madaio
• French horn - David Duke, Arthur Maebe, Sidney Muldrow, Marilyn Robinson
• Tuba - Tommy Johnson
• Concertmaster - Charles Veal
• Harp - Dorothy Ashby
• Cello - Ronald Cooper, Marie Fera, Dennis Karmazyn, Harry Shlutz
• Viola - Marilyn Baker, David Campbell, Denyse Buffum, Rollice Dale, James Dunham, Paul Polivnick, Lynn Subotnick, Barbara Thomason
• Violin - Asa Drori, Winterton Garvey, Harris Goldman, Carl LaMagna, Joy Lyle, Sandy Seemore, Haim Shtrum, Ken Yerke^[12]

• Producers - Maurice White (Original recording), Charles Stepney (Original recording), Leo Sacks (Reissue)
• Arrangers - Jerry Peters (8–9), Charles Stepney (1–3, 5–7), Tom Tom 84 (4)
• Engineer, Remix - George Massenburg
• Audio Mixing - Paul Klingberg (10–14), Leo Sacks (10–14), Maurice White (10–14)^[12]