Royal Academy Exhibition of 1838
The Royal Academy Exhibition of 1838 was the seventieth annual Summer Exhibition of the British Royal Academy of Arts. It was held between 7 May and 28 July 1838 at the National Gallery on Trafalgar Square in London, the second year of was staged there following the move from the Academy's traditional home at Somerset House. It featured submissions from leading painters, sculptors and architects of the early Victorian era.[1]
Queen Victoria had come to the throne the previous year and her coronation took place in June 1838 while the Exhibition was taking place. It was the first Academy Exhibition that Victoria visited as queen.[2] Major attention was drawn to David Wilkie's The First Council of Queen Victoria which depicted Victoria meeting with leading figures of the kingdom at the beginning of her reign. The work has been commissioned by the queen herself, but Wilkie struggled to secure sittings from those who appeared in the painting.[3] Above it hung Queen Victoria Enthroned in the House of Lords a portrait by George Hayter produced for the Guildhall.[4] Hayter would subsequently replace Wilkie in the queen's favour and she later commissioned him to produce paintings of major public events during he reign such as The Marriage of Queen Victoria.
J.M.W. Turner submitted three paintings including the contrasting Ancient Italy and Modern Italy. Amongst the works displayed by Edwin Landseer was A Distinguished Member of the Humane Society.[5] The President of the Royal Academy Martin Archer Shee submitted several portrait paintings including one of the previous monarch William IV.
Gallery
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Modern Italy: The Pifferari by J.M.W. Turner
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Ancient Italy - Ovid Banished from Rome by J.M.W. Turner
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Phryne Going to the Public Baths as Venus, Demosthenes Taunted by Aeschines by J.M.W. Turner
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Hector, Nero, and Dash with the parrot, Lory by Edwin Landseer
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The Bride at her Toilet on the Day of her Wedding by David Wilkie
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The Progidal Son by William Etty
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Il Duetto by William Etty
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Somnolency by William Etty
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An Early Reading of Shakespeare by Solomon Hart
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The Woodranger by Daniel Maclise
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Merry Christmas in the Baron's Hall by Daniel Maclise
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The Principle Characters of the Merry Wives of Windsor by Charles Robert Leslie
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The Emigrant's Departure by Paul Falconer Poole
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The Slave Market, Constantinople by William Allan
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Sands near Boulogne by Clarkson Stanfield
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The 'Chasse MareƩ' off the Gull Stream Light, the Downs in the Distance by Clarkson Stanfield
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Portrait of James Clitherow by Henry William Pickersgill
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Portrait of the Earl of Roden by Frederick Richard Say
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Portrait of Thomas Daniell by David Wilkie
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Portrait of Daniel O'Connell by David Wilkie
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Portrait of John Gibson by Andrew Geddes
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Portrait of Samuel Cooper by Andrew Morton
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Portrait of Prince George of Cambridge by John Lucas
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Portrait of Lord Melbourne by George Hayter
References
- ^ https://chronicle250.com/1838#catalogue
- ^ Forbes p.82
- ^ Tromans p.101
- ^ https://chronicle250.com/1838#catalogue
- ^ Ormond p.111
See also
Bibliography
- Forbes, Christopher. The Royal Academy (1837-1901) Revisited: Victorian Paintings from the Forbes Magazine Collection. Forbes, 1975.
- Hamilton, James. Turner - A Life. Sceptre, 1998.
- Ormond, Richard. Sir Edwin Landseer. Philadelphia Museum of Art, 1981.
- Tromans, Nicholas. David Wilkie: The People's Painter. Edinburgh University Press, 2007.