Portal:Christianity/Selected picture/2006

The Assumption Cathedral (Thai อาสนวิหารอัสสัมชัญ) is the principal Roman Catholic church of Thailand, located in the Bang Rak district of Bangkok. It is the main church of the Archdiocese of Bangkok. It was visited by Pope John Paul II during his trip to Thailand in 1984.

The Basilica of St. Josaphat is one of 55 minor basilicas found in the United States, modelled after St. Peter's Basilica in Rome. The congregation was founded in 1888 by immigrant Poles and is dedicated to Josaphat Kuncevyc, a Polish martyr and saint.

The Papal Tiara, also known as the Triple Tiara, in Latin as the 'Triregnum', or in Italian as the 'Triregno', is the three-tiered jewelled papal crown of Byzantine and Persian origin that is the symbol of the pontificate.

Christ the Redeemer (Portuguese: Cristo Redentor) is a large statue of Jesus located in Rio de Janeiro, Brazil. The statue is 38 m (125 feet) tall and is located at the peak of the 710-m (2330-foot) Corcovado mountain, overlooking the city. As well as being a potent symbol of Christianity, the statue has become an icon of the city and a testament to the warmth of the Brazilian people. (continued...)

The interior of the Basilique Notre-Dame de Montréal (in English, Notre-Dame Basilica) in Québec, Canada. The ceiling is coloured deep blue and decorated with golden stars, and the rest of the sanctuary is a polychrome of blues, azures, reds, purples, silver, and gold. The basilica is filled with hundreds of intricate wooden carvings and several religious statues.

The Creation of Adam is a fresco on the ceiling of the Sistine Chapel, painted by Michelangelo Buonarroti circa 1511. It illustrates the Biblical story from the Book of Genesis in which God the Father breathes life into Adam, the first man. Chronologically the fourth in the series of panels depicting episodes from Genesis on the Sistine ceiling, it was among the last to be completed. It is arguably one of the most famous and most appreciated images in the world.

The Last Supper was the last meal Jesus shared with his apostles before his death. The event has inspired many artistic representations, including this distinctive salt sculpture located in the salt mines of Wieliczka, Poland.

The Shroud of Turin (or Turin Shroud) is an ancient linen cloth bearing the image of a man who appears to have been physically traumatized in a manner consistent with crucifixion. It is presently kept in the royal chapel of the Cathedral of Saint John the Baptist in Turin, Italy. Some believe it is the cloth that covered Jesus of Nazareth when he was placed in his tomb and that his image was somehow recorded on its fibers at or near the time of his proclaimed resurrection. Skeptics contend the shroud is a medieval hoax or forgery - or even a devotional work of artistic verisimilitude. It is the subject of intense debate among some scientists, believers, historians and writers regarding where, when and how the shroud and its images were created.

The Lindisfarne Gospels are an illuminated Latin manuscript of the gospels of Matthew, Mark, Luke and John. The manuscript was produced on Lindisfarne in Northumbria in the late 7th century or early 8th century, and is generally regarded as the finest example of the kingdom's unique style of religious art, a style that combined Anglo-Saxon and Celtic themes, what is now called Hiberno-Saxon art. The Gospels are presumed to be the work of a monk named Eadfrith, who became Bishop of Lindisfarne in 698 and died in 721. Current scholarship indicates a date around 715, and it is believed they were produced in honour of St. Cuthbert. The Gospels were taken from Durham Cathedral during the dissolution of the monasteries, and are currently located in the British Library. (continued...)

Old Saint Paul's in Wellington, New Zealand, is an example of 19th-century Gothic Revival architecture adapted to colonial conditions and materials. It is constructed entirely from New Zealand native timbers. While no longer a parish church, it remains consecrated, and is a popular venue for weddings, funerals and other services. This photo of the nave is an example of high dynamic range imaging.

The Battle of Vienna (Turkish: İkinci Viyana Kuşatması) (as distinct from the Siege of Vienna in 1529) took place on September 11 and September 12, 1683 after Vienna had been besieged by Turks for two months. It was the first large-scale battle of the Great Turkish War, yet with the most far-reaching consequences.

The siege itself began on 14 July 1683, by the Ottoman army commanded by Grand Vizier Kara Mustafa Pasha. The decisive battle took place on 12 September, after the united relief army of 70,000 men had arrived, pitted against the Ottoman army of approximately 138,000 men — although a large number of these played no part in the battle, as only 50,000 were experienced soldiers, and the rest less-motivated supporting troops.^[1] King John III Sobieski of the Polish–Lithuanian Commonwealth had been made Commander in Chief of his own 30,000-man Polish forces and the 40,000 troops of Habsburg and their allies, led by Charles V, Duke of Lorraine.

The battle marked the turning point in the 300-year struggle between the forces of the Central European kingdoms and the Ottoman Empire. Over the sixteen years following the battle, the Habsburgs of Austria, and their allies gradually occupied and dominated southern Hungary and Transylvania, which had been largely cleared by the Turkish forces.

The Battle of Vienna (Turkish: İkinci Viyana Kuşatması) (as distinct from the Siege of Vienna in 1529) took place on September 11 and September 12, 1683 after Vienna had been besieged by Turks for two months. It was the first large-scale battle of the Great Turkish War, yet with the most far-reaching consequences.

The siege itself began on 14 July 1683, by the Ottoman army commanded by Grand Vizier Kara Mustafa Pasha. The decisive battle took place on 12 September, after the united relief army of 70,000 men had arrived, pitted against the Ottoman army of approximately 138,000 men — although a large number of these played no part in the battle, as only 50,000 were experienced soldiers, and the rest less-motivated supporting troops.^[1] King John III Sobieski of the Polish–Lithuanian Commonwealth had been made Commander in Chief of his own 30,000-man Polish forces and the 40,000 troops of Habsburg and their allies, led by Charles V, Duke of Lorraine.

The battle marked the turning point in the 300-year struggle between the forces of the Central European kingdoms and the Ottoman Empire. Over the sixteen years following the battle, the Habsburgs of Austria, and their allies gradually occupied and dominated southern Hungary and Transylvania, which had been largely cleared by the Turkish forces.

View of the Cathedral of Segovia, Spain. It was built by Juan Gil de Hontañón between 1525 and 1526, his son Rodrigo Gil de Hontañon until 1577 and Juan de Mugaguren. It forms part of the old town, which is a UNESCO World Heritage Site.