María Esther Ballivián
María Esther Ballivián | |
---|---|
Born | María Esther Ballivián Iturralde 13 June 1927 La Paz, Bolivia |
Died | 23 June 1977 | (aged 50)
Occupation(s) | Artist, teacher |
Spouse | Luis Perrín Pando |
María Esther Ballivián Iturralde (13 June 1927 – 23 June 1977) was a Bolivian painter, engraver, and teacher. She is considered one of the leading Bolivian fine artists of the 20th century.[1]
Biography
Early life
María Esther Ballivián was born in La Paz, Bolivia on 13 June 1927, to Rafael Ballivián and Rosa Iturralde.[2][3] Her paternal grandmother was Elisa Rocha de Ballivián, the first prominent female Bolivian fine artist[4] and founder of the first painting school in La Paz in 1905.[5] Ballivián was the great-granddaughter of painter Zenón Iturralde.[6]
Artistic career
From 1945 to 1950 Ballivián was a student of Lithuanian painter Juan Rimsa.[3] She attended the Academies of Fine Arts in La Paz and Lima.[3] In 1950 Ballivián married the architect Luis Perrín Pando, but unusually for the time she did not take his name.[3] Also in 1950 the first exhibition of her work was held in La Paz.[6] Following the outbreak of the 1952 Bolivian National Revolution, Ballivián moved to Chile; there she studied printmaking with Nemesio Antúnez.[3][7] In March 1953 Ballivián's work was shown as part of the first exhibition of abstract art in Bolivia, entitled "Eight Contemporary Painters" (Spanish: Ocho pintores contemporáneos), alongside María Luisa Pacheco, Armando Pacheco, and five other Bolivian artists.[1]
Ballivián lived in Paris in 1957–60 and again in 1963–64.[8] While in Paris she studied at Stanley William Hayter's Atelier 17.[7] She also studied at the Académie de la Grande Chaumière, where she met Henri Goetz, in whose studio she later worked.[7]
In 1964 Ballivián returned to Bolivia.[3] There she worked as a teacher at the Hernando Siles National Academy of Fine Arts in La Paz, where her students included Ángeles Fabbri, Roxana Crespo, and Carmen Bilbao.[3] Ballivián also started drawing and painting female nudes, work for which she is particularly remembered.[7][8]
Death
Ballivián died on 23 July 1977 after being accidentally electrocuted in the bath.[3]
Awards and recognition
- Award of the Hispano-American Women's Engraving and Drawing Competition (Spanish: Concurso Hispanoamericano Femenino de Grabado y Dibujo), La Paz, 1956.
- First prize in engraving at the 1960 competition of the Salón Pedro Domingo Murillo with the work "Bajo relieve".
- First prize in engraving at the IV Salón de Arte in 1961, organised by the Bolivian Ministry of Education, with the work "Trópico".
- Grand Prize in painting, 1965 at the Salón Pedro Domingo Murillo with the work "Naturaleza muerta".
- Grand Prize at the Technical University of Oruro, 1974.[6]
References
- ^ a b Reynaldo J. González (2021-08-03), "Sobre la llegada del "arte degenerado" a Bolivia" [On the arrival of "degenerate art" to Bolivia], Opinión (in Spanish), retrieved 2025-03-02
- ^ Elssa Paredes de Salazar (1965). "Ballivián de Perrin, Maria Esther". Diccionario Biográfico de la Mujer Boliviana (in Spanish) (1st ed.). Ediciones "Isla". p. 41. OCLC 869407.
- ^ a b c d e f g h Liliana Carrillo (2009-07-12), "El arte de María Esther Ballivián vuelve a casa" [The art of María Esther Ballivián is coming home], Bésame Radio (in Spanish), archived from the original on 2016-04-11
- ^ "Muestra de María Esther Ballivián en el Patiño" [María Esther Ballivián's exhibition at the Patiño], Los Tiempos (in Spanish), 2009-08-12, retrieved 2025-02-24
- ^ Elías Blanco Mamani (2012-03-03), "Elisa Rocha De Ballivián, pintora boliviana", Diccionario Cultural Boliviano (in Spanish), retrieved 2025-02-27
- ^ a b c Elías Blanco Mamani (2010-08-07), "María Esther Ballivián Iturralde, artista pintora boliviana", Diccionario Cultural Boliviano (in Spanish), retrieved 2025-02-24
- ^ a b c d Verónica Ormachea (2020-04-28), "María Esther Ballivián, pintora boliviana universal", Mundiario (in Spanish), retrieved 2025-02-24
- ^ a b Ricardo Bajo (2020-05-25), "María Esther Ballivián es compañía", La Razón (in Spanish), retrieved 2025-02-24