List of palaces of Vicenza

Vicenza is a city renowned for its wealth of palaces and residences, which reflect the diverse artistic, architectural, and urban phases of its history. These structures are particularly associated with the work of the 16th-century architect Andrea Palladio.

This page provides an alphabetical list of Vicenza’s civic buildings. It includes:

  • Identification of each building, including its precise name, address, and geographic coordinates.
  • Brief historical and artistic details.
  • Indication of buildings no longer extant (in italics).

UNESCO World Heritage designation

In 1994, 23 Palladian monuments in the historic centre of Vicenza (along with three Palladian villas in the suburbs) were inscribed on the UNESCO World Heritage List under the designation "Vicenza, City of Palladio". Of these 23 buildings, 16 are palaces, while the remaining seven are: the Arco delle Scalette, the Teatro Olimpico, the Loggia Valmarana in the Giardini Salvi, the dome and north portal of the Cathedral, the Church of Santa Maria Nova, and the Valmarana Chapel in the Church of Santa Corona.

The 16 palaces are:

A

  • Palazzo Alidosio Conti, at Corso Palladio 102–104, adjacent to the left of Palazzo Trissino Baston, extending its portico. 45°32′52″N 11°32′44″E / 45.54784°N 11.54566°E / 45.54784; 11.54566
Vicenza’s earliest Renaissance palace. The structure of the building and the style of the moldings suggest that it was built in the late 15th century, influenced by Lorenzo da Bologna. It passed from the Alidosio to the Conti family in the early 16th century. The first and second floors now house municipal offices, internally connected to Palazzo Trissino.[1]

Angaran palaces

The Angaran were a noble Vicentine family whose medieval estates centred around Angarano (now a suburb of Bassano del Grappa), from which they took their name. They joined the Venetian patriciate in 1655 after paying 100,000 ducats to fund the Cretan War.

Built around 1480 for the Magrè family, possibly designed by Tommaso Formenton; faithfully rebuilt between 1921 and 1934.
A fine example of early Renaissance architecture, it is the only palace in Vicenza with two facades on a continuous portico.[3]
  • Palazzo Angaran, at Contrà San Marco 39 → Palazzo Schio Vaccari Lioy Angaran.
  • Palazzo Angaran alle Fontanelle, designed in the early 18th century by Francesco Muttoni in Contrà delle Fontanelle (now Via IV Novembre, Borgo di San Pietro), no longer extant.[4]
A typical example of minor Venetian architecture from the second half of the 18th century.[5]

Arnaldi palaces

The Arnaldi were a noble Vicentine family, admitted to the Venetian patriciate and counted among the so-called Case fatte per soldo (houses made for money). They owned palaces in the city from the 15th to the 19th centuries.

Built in the last quarter of the 15th century (with evidence of Lorenzo da Bologna’s involvement), it features a refined Renaissance facade with a red marble portal, diamond-pattern cladding, and mouldings in red Nanto stone.[6]
Construction, attributed to Giandomenico Scamozzi, began in 1574; its neoclassical facade overlooks a spacious courtyard.[7]
  • Palazzo Arnaldi Piovene, at Contrà Zanella → Palazzo Sesso Piovene.
  • Palazzo Arnaldi, at Contrà San Paolo 13 → Palazzo Bissari Arnaldi.
  • Palazzetto Arnaldi, at Contrà del Pozzetto 5 → Palazzetto Chiericati Arnaldi.

B

  • Palazzetto Balzafiori, at Piazza Matteotti 16.
An early 19th-century building by David Rossi.[8]
Built in Vicenza between 1570 and 1575 by architect Andrea Palladio. It currently houses the Centro Internazionale di Studi di Architettura Andrea Palladio (CISA) and the Palladio Museum.[9]
  • Palazzo Barbieri, in Borgo Porta Nova.
Constructed in 1799 by Carlo Barrera.[10]
Built in the 17th century by Giacomo Borella; its entrance portal is crowned by an ornate Baroque balcony flanked by neoclassical windows.[11]
Andrea Palladio redesigned the Palazzo della Ragione, adding iconic white marble loggias with Serlian windows to the pre-existing Gothic structure.
Once the seat of Vicenza’s public magistrates, it now hosts multiple exhibition spaces for art and architecture displays. It has been a UNESCO World Heritage Site since 1994.[12]

Bissari buildings

The Bissari were a prominent family in Vicenza from the 13th to the 19th century, when their influence waned. They governed several fiefs and estates, notably the fief of Costa Fabrica, now Costabissara.

  • Palazzo Bissari Malvezzi, in Corso Palladio.
Renovated by Camillo Bissari in 1696, its attribution is uncertain.[13]
Commissioned by the Bissari in the late 15th century in Renaissance style (the fine portal remains), with 16th-century modifications; sold to the Arnaldi family in 1584. The humanist Enea Arnaldi died here.[15]
  • Palazzo Bollina Sola, at Contrà Canove.
An early 18th-century building.[17]
  • Palazzo Bonin, at Contrà Lodi (Borgo Porta Nova).
  • Palazzo Braghetta Pagello, in Corso Palladio.
Built in 1780 by Ottavio Bertotti Scamozzi.[18]
A late Gothic stately residence, partially rebuilt after bombing in 1945.[20]

Breganze palaces

  • Palazzetto Breganze, at Contrà Porti 5–7.
A mid-16th-century building.[21]
  • Palazzo Breganze, at Contrà Porti 17 → Palazzo da Porto Breganze.
  • Palazzo Breganze in Piazza Castello → Palazzo da Porto Breganze in Piazza Castello.
  • Palazzo Breganze, opposite Porton del Luzo → Palazzo Pigafetta Breganze.
A 19th-century building, partially restored by architect Carlo Scarpa, who designed Casa Gallo on the top floor. It houses the international Library La Vigna – Centre for Culture and Rural Civilisation.

C

  • Ca' d’Oro → Palazzo Caldogno Dal Toso Franceschini da Schio, known as Ca' d’Oro

Caldogno palaces

The Caldogno were a noble Vicentine family tied to the municipality of Caldogno in the Province of Vicenza, branching into various lines. At the height of their prominence, they maintained their primary residence in Vicenza and owned numerous properties across the Vicentine region.

Built in the 14th century by the Caldogno family and completed in late Gothic style around 1477 by the Dal Toso family, who expanded it at the rear and finished the courtyard around 1500. The ground floor was remodelled by Lorenzo da Bologna, who crafted the elaborate portal; the atrium and interiors were renovated in the late 18th century. Destroyed by World War II bombings and subsequently rebuilt.[22]
  • Palazzo Caldogno Tecchio, in Corso Fogazzaro.
One of the city’s most opulent buildings, constructed in the mid-16th century and entirely rebuilt after World War II, it now serves as the Chamber of Commerce.[23]
  • Palazzo Caldogno Curti, at Contrà Riale.
Extensively remodelled in the 18th century, now in a state of disrepair.[24]
  • Case Caldogno, demolished, on the site now occupied by Palazzo Loschi Zileri Dal Verme, in Corso Palladio.[25]
Designed in 1565 by Andrea Palladio, built between 1571 and 1572. Decorated externally by Lorenzo Rubini, with interior paintings by Giovanni Antonio Fasolo. It currently houses the city’s municipal council.[26]

Capra palaces

The Capra were an ancient family belonging to Vicenza’s Noble Council. The family’s progenitor, Enrico Capra, made significant land acquisitions in the Vicentine territory of Carrè in the early 11th century.

  • Palazzo Capra, an 18th-century building, in Piazzetta Santo Stefano, corner of Stradella Santo Stefano.
Adapted from a pre-existing structure in the mid-18th century and modified in the early 20th century to serve as the Post and Telegraph Office.[27]
An early Vicentine Renaissance building.[28]
Constructed in the early 17th century, possibly by Ottavio Bruto Revese.[29]
Featuring a long, plain facade originally adorned with frescoes. Beyond the palace, crossing a stone bridge over the Astichello, lies Parco Querini, which served as the palace’s garden. Acquired by the Rezzara counts, the park was opened to the public in 1971 after prolonged disputes over its use.[30]
Designed by Andrea Palladio, now incorporated into the side of Palazzo Piovini. It is included in the list of Vicenza’s 23 Palladian monuments.[31]
  • Palazzetto Capra Lampertico, in Corso Palladio, adjacent to Palazzo Lampertico.
Designed by Ottone Calderari and built posthumously in the early 19th century.[32]
  • Palazzo Capra in Piazzetta Santo Stefano → Palazzo Sale Capra.
Palazzo Chiericati
Coat of arms of the Chiericati family
A Renaissance building, designed in 1550 as a noble residence for the Chiericati counts by Andrea Palladio and constructed from 1551, completed only at the end of the 17th century. It has housed the civic museum since 1855 and is a UNESCO World Heritage Site since 1994.[34]
  • Palazzetto Chiericati Arnaldi, at Contrà Pozzetto 5.
A late 16th-century building, replicating the facade scheme of Palazzo Trissino.[35]
Built in 1540 for the brothers Giovanni Giacomo, Pier Antonio, Vincenzo, and Francesco Civena by Palladio, it is his first city palace. Later it became the residence of the Trissino dal Vello d’Oro counts, who had it significantly expanded by Domenico Cerato, adding lateral wings. It is among the Palladian monuments designated as a UNESCO World Heritage Site.[36]
  • Palazzo Cividale, in Corso Fogazzaro.
Constructed in 1582 and attributed to Vincenzo Scamozzi.[37]
  • Palazzo Colonnese, at Contrà Santa Barbara.
A Gothic-style building, remodelled in the late 15th century.[38]
  • Palazzetto Colzè Trissino, in Corso Palladio.
A Gothic-style building, remodelled in the late 15th century.[39]
  • Palazzetto Conti, at Stradella Santa Corona.
Typical of the late 15th century, partially destroyed by 1944 bombings.[40]
Palazzo Cordellina
Coat of arms of the Cordellina family
Built in Palladian style by Ottone Calderari on commission from the jurist Carlo Cordellina.[41]
  • Palazzetto Cordellina, at Stradella Piancoli.
Built in 1738-40 by Carlo Cordellina. The designer is unknown.[42]
Built in 1559 for a notary and attributed to Andrea Palladio, it is included in Vicenza’s 23 Palladian monuments listed as a UNESCO World Heritage Site since 1994.[43]
Built in 1840 based on a design by Giovanni Maria Negrin Quartesan, it is one of the locations of the Biblioteca Civica Bertoliana.[44]
  • Palazzetto Crico, in Piazza delle Erbe.
A refined neoclassical palace.[45]

D

Included in the list of Palladian palaces protected by UNESCO, though some scholars consider it apocryphal to Palladio. Built opposite the Dominican convent of Santa Corona between 1550 and 1554, it was completed in 1581, a year after Palladio’s death.[46]
  • Casa Dal Corso, in Corso Fogazzaro, corner of Contrà Riale.
The building retains a late Gothic trifora.[47]
  • Casa Dal Giglio.
Designed by Ottavio Bertotti Scamozzi.[48]
  • Palazzo Dalesmani, at Contrà Mure San Michele, no longer extant.
  • Casa de Ferrari, at Contrà Ponte Furo.
Designed by Ottavio Bertotti Scamozzi.[49]
  • Casa Dolfi, in Corso Fogazzaro.
Renovated in the late 16th century from a pre-existing 15th-century building.[50]
  • Casa Donà, at Contrà Mure San Rocco.
Designed by Bartolomeo Malacarne.[51]
  • Palazzetto Doni Lioy, at Contrà Lioy.
A building with Gothic and Renaissance elements, it was the residence of statesman Paolo Lioy.[52]
  • Istituto delle Dorotee, at Contrà San Domenico.
Designed by Antonio Piovene and built in 1844–45.[53]

E

An early 16th-century building, attributable to Tommaso da Lugano.[54]

F

  • Palazzo Fadinelli, at Contrà Zanella.
A refined mid-18th-century work by Giovanni Miazzi.[55]
  • Palazzetto Ferramosca Dal Toso, at Contrà Piancoli.
Renovated in the mid-16th century.[56]
  • Palazzo Ferrari, in Corso Fogazzaro.
Renovated in 1692 with further interventions in 1877–78.[57]
  • Casa dei Filippini (behind the church).[58]
  • Palazzo Fioccardo, at Contrà Santi Apostoli.
Built in 1800 based on a design by Carlo Barrera.[59]
  • Casa Fontana, in Piazza De Gasperi.
A 1930s building by Ettore Fagiuoli, blending classical and Baroque elements in a neo-Mannerist composition.[60]
  • Casa Fontanella, at Contrà Lodi (Borgo Porta Nova).
A 1799 building designed by Ottone Calderari.[61]
An 18th-century building of significant proportions, with the ground floor and mezzanine in masonry and the piano nobile featuring narrow neoclassical windows with architraves, designed by Ottavio Bertotti Scamozzi. Now the seat of the Provincial Administration.[62]
  • Palazzetto Franceschini Piovene, at Contrà Porti 24.
Its facade, likely designed by Carlo Greco in 1820, reflects late Vicentine neoclassicism.[63]
  • Palazzo Franco, at Contrà Porta Padova (Borgo di San Pietro).
A 19th-century building designed by Antonio Piovene.[64]
  • Palazzo Franco, at Contrà Santa Lucia, corner of Piazza XX Settembre.
An early 18th-century building.[65]
  • Casa Fusinieri, at Contrà Santi Apostoli.

G

  • Casa Gallo → Palazzo Brusarosco Gallo.

Garzadori palaces

  • Palazzo Garzadori al Brotton, built for Giambattista Garzadori, no longer extant.[66]
  • Palazzo Garzadori Fattore, at Contrà Lioy.
Built in the 1460s in flamboyant Gothic style; it retains its original portal and trifora.[67]
Constructed in the mid-16th century at the request of Girolamo Garzadori, who sought to renovate houses inherited from his uncle Battista Graziani. Palladio may have been commissioned for a study, but the patron’s death in 1567 halted the collaboration, though documentary evidence indicates part of the structure was built by 1564. Girolamo’s son completed the building before Palladio’s death; its compositional scheme aligns with similar Palladian structures.[68] It is included among the Palladian palaces designated as a UNESCO World Heritage Site.
One of the city’s most significant and well-preserved Gothic buildings, constructed around 1460, incorporating Romanesque structures.[69]
  • Casa Gastaldi, at Contrà Santa Lucia, corner of Stradella dei Orbi.
Renovated in 1773 by Ottavio Bertotti Scamozzi.[70]
  • Palazzo Ghellini, at Contrà Oratorio dei Proti, corner of Contrà Sant’Antonio.
Likely designed by Antonio Pizzocaro, it was heavily damaged by World War II bombings and rebuilt in the 1950s.[71]
  • Palazzo Ghellini, at Contrà Pasini 10.
Commissioned by Ghellino Ghellini in 1570.[72]
  • Palazzo Ghislanzoni, in Corso Palladio, corner of Corso Fogazzaro.
An early 19th-century building, the only Vicentine work by architect Antonio Diedo.[73]
  • Palazzetto Giacomazzi, in Piazza Matteotti.
A rare example of Rococo architecture in Veneto, from the early 18th century.[74]
Formerly part of a convent, it has been the main seat of the Biblioteca Civica Bertoliana since 1910.
Built in the 1930s for the Gioventù Italiana del Littorio, it now serves as a university campus; one building houses the Teatro Astra.[75]
Occupied by the Giustiniani until 1812, it passed to the Zorzi Giustiniani descendants, who sold it to Marco Baggio in the early 20th century. Later acquired by the Vicenza Civil Hospital and finally purchased by the Cariverona Foundation, which completed its restoration in 2011.[76]
In late Gothic style.[77]
  • Palazzo Godi Nievo, at Contrà Gazzolle.
Built in the early 17th century based on a design by Vincenzo Scamozzi and modified in the late 18th century by Ottone Calderari, it now serves as the Prefecture.[78]
  • Palazzetto Gonzati, at Contrà Apolloni 7.
Likely designed by Ottone Calderari in the 1810s.[79]

Gualdi palaces

  • Palazzi Gualdi, in Piazzetta Gualdi.
Two distinct early 16th-century buildings unified at the base.[80]
  • Palazzo Gualdo Cevese, at Contrà Lioy.
Originally Gothic, renovated in the mid-17th century.[81]
  • Palazzo Gualdo in Pusterla.
A lavish residence renovated in 1537.[82]
  • Palazzo Gualdo Dalle Ore, in Piazzetta San Giuseppe.
A work by Giovanni Miglioranza from the early 19th century.[83]
  • Palazzetto Gualdo Priorato, at Contrà Pasini.
Built in 1523.[84]

L

  • Palazzo Lampertico, in Corso Palladio.
Birthplace of the statesman, designed in Vicentine neoclassical style by Giacomo Fontana in 1804 and completed around the mid-19th century by Giovanni Maria Negrin Quartesan (son of Antonio Caregaro Negrin).[85]
Built in the 1440s in flamboyant Gothic style, unifying earlier buildings, including Lanzè tower houses.[86]
  • Palazzo Lanzi Bonaguro, in Piazza XX Settembre, corner of Contrà Santa Lucia (Borgo di San Pietro).
Designed by Francesco Antonio Ziggiotti in 1769, a monumental residence in Scamozzian style.[87]
A grand building, Vicenza’s only Baroque palace, built in the 17th century by Bernardino Montanari and his heir Giovanni Leoni, unifying several pre-existing structures.[88]
Commissioned by Baldassare Longhena and built in Palladian style, it stands on the park’s western side.
  • Palazzo Lonigo, in Corso Palladio, corner of Contrà Manin.
Rebuilt after World War II, unifying several 16th–17th-century buildings.[89]
A neo-Palladian palace designed in 1780 by Ottone Calderari and built in the following decade, only the facade facing Corso Palladio was completed.[90]

M

Built in the 1920s near the Astichello River, it serves as the oratory of the San Marco parish and a cinema.
  • Palazzetto Marzari, at Contrà San Gaetano.
A 16th-century building, remodelled in the 17th and 18th centuries.[91]
  • Palazzo Mattarello, at Contrà San Francesco Vecchio.
A 17th-century building, remodelled in the 18th century. Now a house of the clergy.[92]
Possibly by Ottavio Bertotti Scamozzi.[93]
A monumental complex built between the 15th and 17th centuries, incorporating the Church of San Vincenzo in its central section.[94]
  • Casa Morselli, at Vicolo Cieco Retrone, corner of Contrà Piancoli.[95]
  • Palazzo Muttoni, at Contrà Santi Apostoli, corner of Contrà Lioy.
A reflection of Vicenza’s late 16th-century architectural trends, possibly by Giandomenico Scamozzi.[96]
  • Palazzo Muttoni Franco → Palazzo Franco.
  • Casa Muzan, at Contrà Do Rode.
Rebuilt by Antonio Caregaro Negrin in 1854.[97]
  • Palazzo Muzani, at Contrà Garibaldi, corner of Contrà Cesare Battisti.
A robust building from 1580.[98]
  • Palazzetto Muzzi, in Piazza Matteotti.
Commissioned in 1774 to Ottavio Bertotti Scamozzi, it was the residence of Vicentine poet Adolfo Giuriato.[99]

N

  • Palazzo Nanti, in Piazzetta Santi Apostoli.
A typical example of local late Gothic with Venetian influences, from the late 15th century.[100]

O

Built in the early 19th century for the Casino Nuovo on the site of dilapidated pre-existing buildings, including the hospital and church of Sant’Antonio Abate.[101][102]
A Napoleonic-era palace, now the city’s hostel.

P

Pagello palaces

Originally a late 16th-century building in typical Venetian style, it has been expanded and remodelled over time. Since the late 1920s, it has served as the rectory of the San Marco parish.[103]
  • Palazzetto Pagello, at Piazza Matteotti 18–20.
Built in the early 17th century, continuing 16th-century traditions.[104]
  • Palazzo Pagello in Corso Palladio → Palazzo Braghetta Pagello.
  • Palazzo Pasini Canera di Salasco, at Contrà Carpagnon, corner of Contrà Oratorio dei Proti.
Retains its 16th-century appearance.[105]
Remodelled by Matteo Pigafetta in 1481, a rare example of flamboyant Gothic.[106]
A 17th-century building in Scamozzian tradition, built above the cavea of the Teatro Berga.[108]
  • Palazzo Pigatti, in Corso Fogazzaro.
A 1861 building designed by Marco Bonelli, a renovation of earlier structures.[109]
  • Casa Pigatti, at Contrà delle Grazie.
Its facade was designed by Enea Arnaldi on a pre-existing building of the Knights Hospitaller convent.[110]

Piovene palaces

  • Palazzo Piovene sul Corso → Palazzo da Porto Piovene.
  • Palazzo Piovene Orgian, at Contrà Riale, corner of Stradella San Giacomo.
Austere late 17th- to early 18th-century building by Vicentine architect Giuseppe Marchi.[111]
  • Palazzo Piovene, at Contrà San Faustino 17.
Built in 1823 based on a design by Carlo Greco.[112]
  • Palazzo Piovene at Contrà San Marco 41 → Palazzo Barbieri Vajenti Piovene Cicogna.
  • Palazzetto Piovene at Contrà Porti 24 → Palazzetto Franceschini Piovene.
  • Palazzo Piovene at Contrà Zanella → Palazzo Sesso Piovene.
  • Palazzo Piovene all’Isola, on the Retrone, built in 1569 as part of a comprehensive redevelopment of the Isola’s commercial area, demolished in 1818.[113]
  • Palazzo Piovene, demolished, on the site now occupied by Palazzo Repeta, in Piazza San Lorenzo.[114]
Austere mid-17th-century palace attributed to Antonio Pizzocaro. It incorporates the earlier Palazzetto Capra sul Corso on its left flank.[115]
  • Case Pizzioni, at Stradella delle Barche.
By Giandomenico Scamozzi.[116]
An ancient palace of the Bissari family, acquired by the municipality in the 13th century, repeatedly renovated, destroyed by World War II bombings, and subsequently rebuilt, now housing municipal offices.[117]
Attributed to architect Andrea Palladio, designed around 1540. It is included in Vicenza’s 23 Palladian monuments listed as a UNESCO World Heritage Site. Contrà Do Rode begins under the palace’s arch.[119]

Porto palaces and houses

Palazzo da Porto Breganze
Palazzo da Porto Colleoni

The Porto were one of the leading families dominating the Vicentine Committee since the early 10th century, serving as highly influential vicecomites under the bishop and being part of Vicenza’s Noble Council.

Designed by Andrea Palladio, commissioned by nobleman Iseppo da Porto in 1552; the building underwent a prolonged design phase and an even lengthier, troubled construction, remaining partially incomplete. It is a UNESCO World Heritage Site since 1994.[120]
  • Palazzo Porto, at Contrà Porti 16.
A late 15th-century building, rebuilt after World War II.[121]
  • Palazzetto da Porto Muzan, at Contrà Porti 23.
A late Gothic building.[122]
  • Palazzo da Porto Breganze, at Contrà Porti 17.
The city’s most lavish building in flamboyant Gothic style.[123]
  • Palazzo da Porto Colleoni, at Contrà Porti 19.
One of Vicenza’s finest examples of flamboyant Gothic style.[124]
A Renaissance building by Andrea Palladio, now home to the Palladio Museum.[125]
  • Case da Porto, at Contrà Porti 13 and 15.
17th-century buildings.[126]
  • Palazzo da Porto Negri De Salvi, in Piazzetta Santo Stefano.
A Gothic building renovated in Renaissance style.[127]
  • Palazzo da Porto Piovene, in Corso Palladio.
Built in the late 16th century; birthplace of Guido Piovene.[128]
A noble palace designed around 1571 for Alessandro Porto, attributed to Andrea Palladio and left incomplete.[129]
A Renaissance work from the early 16th century.[130]
Designed by Roberto Narducci, built between 1932 and 1936.[131]
  • Palazzetto Povegliani, at Contrà Zanella.
A late 15th-century building.[132]
  • Antico Palazzo Prefettizio, at Contrà Del Monte.[133]
  • Palazzo della Prefettura → Palazzo Volpe Maltauro.
  • Ospizio e Oratorio dei Proti, at the corner of Contrà Giampietro de Proti and Contrà Oratorio dei Proti.
Built in the 15th century and completely renovated by Antonio Pizzocaro in the late 17th century.[134]

Q

  • Palazzo Querini → Palazzo Capra Querini Rezzara.
  • Palazzo Quinto at Viale Eretenio.
Designed by Ottone Calderari, but never built, on the site later occupied by the Teatro Eretenio.[135]

R

A late Gothic palace from the mid-15th century.[136]
Opposite the Church of San Lorenzo, this massive palace was built by Francesco Muttoni between 1701 and 1711, one of his earliest works. It served as the local headquarters of the Bank of Italy.[137]
An 1891 building in eclectic neo-Gothic style with Lombard influences.[138]
Built in 1599 and rebuilt after World War II.[139]

S

  • Palazzo Sale Capra, in Piazzetta Santo Stefano
Designed by Francesco Muttoni, but instead, a plain, uniform facade was constructed in the mid-18th century.[140]
  • Palazzo Sale di San Damiano, in Contrà del Pozzetto 10
Likely an early 16th-century building.[141]
  • Palazzo Sale Serbelloni, in Contrà Oratorio dei Proti
A massive rectangular building with a facade renovated in the early 18th century, transferred to the hospital in 1841 and later to the IPAB.[142]
  • Palazzo Salvi, in Corso Palladio
An incomplete palace designed in 1784 by Ottone Calderari.[143]
  • Palazzo Salvi, in Contrà Santa Corona
Constructed in the late 18th century and remodeled in the mid-19th century by Giovanni Maria Negrin Quartesan.[144]
A late Gothic building, now housing ULSS services.[145]
Renovated for Bernardo Schio by Andrea Palladio, who designed its facade in 1560, it was completed around 1574–1575.[146] It was restored by Carlo Angaran in 1825.[147]
  • Palazzo Schio in Corso Palladio → Palazzo Caldogno Dal Toso Franceschini da Schio, known as Ca' d'Oro
  • Palazzo Scola, in Piazza Castello
A notable late 17th- to early 18th-century building.[148]
  • Palazzo Scroffa, in Contrà Borgo Scroffa
A 16th-century palace with adjacent rustic structures by Bartolomeo Malacarne, demolished in the 1960s.[149]
A fine Gothic building.[150]
Built in 1842 based on a design by the Venetian Francesco Lazzari.[151]

Sesso palaces

  • Palazzetto Sesso in Piazza Castello, adjacent to Palazzo Porto → Palazzetto da Porto Sesso
  • Palazzo Sesso in Contrà Zanella → Palazzo Lanzè Sesso
  • Palazzo Sesso Piovene, in Contrà Zanella
The exterior reflects the transitional period of the late 15th century.[152]
Parts of the original Gothic facade remain.[153]
Constructed between 1620 and 1630, attributed to Ottavio Bruto Revese, it later became property of the Diocese of Vicenza, which converted it into a student dormitory. It features a distinctive island-shaped garden within a bend of the Bacchiglione River.[154]

T

A monopteros temple at the center of an artificial island, built in classical style by Antonio Piovene in 1820, with Ionic columns supporting the dome. Beneath it lies an ancient icehouse.
A complex of buildings, remodeled in the 16th and 17th centuries, located on the site of the 13th-century San Pietro Castle. It houses the Teatro Olimpico.[155]
  • Palazzo Terzi, in Corso Fogazzaro
Built in the second half of the 17th century on a pre-existing 15th-century structure, of which the portal remains.[156]

Thiene palaces

The Thiene are an ancient family that, while maintaining the city of Thiene as their primary area of interest, relocated to Vicenza in the early 14th century. They expanded their holdings across various parts of the province, reaching as far as Camisano Vicentino. The Thiene were granted the title of palatine counts by Emperor Frederick III in 1469.

Andrea Palladio conceived—and documented in his Four Books of Architecture—a unified project for the Thiene palace, intended to cover the entire area between Corso Palladio, Contrà Porti, Stradella della Banca Popolare, and Contrà San Gaetano Thiene. The project could not be fully realized, resulting in three distinct palaces within this block today:

  • Palazzo Thiene, at No. 8 Contrà Porti
A late expression (1450–1460) of local Gothic with Venetian influences.[157]
Built in the late 15th century by Lorenzo da Bologna and Tommaso da Lugano, who crafted the fine portal in red Verona marble, it underwent various interventions in the 16th century and was restored in 1872–73 after being acquired by the Banca Popolare.[158]
Construction began in 1542 based on Palladio’s design, intended to connect to the 15th-century palaces in Contrà Porti, but only the eastern section was completed. The palace has been included in the UNESCO World Heritage List since 1994. Historically the headquarters of the Banca Popolare di Vicenza, it is also used for exhibitions and cultural activities.[159]

Other palaces of the Thiene family include:

Designed by Andrea Palladio and built by Vincenzo Scamozzi after the master’s death, it is now the headquarters of the Vicenza Industrial Association.[160]
  • Palazzo Thiene sul Corso, in Corso Palladio
The ground floor and first floor are in mid-15th-century late Gothic style, while the second floor and attic were added in the mid-18th century.[161]
  • Case Thiene, in Contrà Porta Santa Lucia (Borgo di San Pietro)
Featuring a fine courtyard portal from the early 1440s, possibly an eclectic work by Palladio.[162]
  • Palazzo Thiene di Ercole, in Corso Palladio, demolished after the 1944 bombing[163]
  • Case Tornieri, in Corso Palladio 103–109[164]
  • Casa Tosin, in Contrà Santa Lucia (Borgo di San Pietro)[165]
  • Palazzo Traverso, in Contrà Cabianca 2
A building renovated after the mid-16th century on a pre-existing structure.[166]

Trento palaces

  • Palazzetto Trento, in Contrà San Faustino 18
A fine example of Vicentine architecture from the second half of the 17th century, attributed to Antonio Pizzocaro.[167]
  • Palazzo Trento Valmarana, in Contrà Cabianca, rear on Contrà San Faustino
An 18th-century palace designed by Francesco Muttoni.[168]
  • Palazzo Trissino Trento, in Via Cesare Battisti → Palazzo Trissino al Duomo
  • Palazzo Trevisan Lampertico, in Contrà Riale
Attributed to Giuseppe Marchi.[169]

Trissino palaces and houses

The Trissino were one of the most prominent families in Vicenza during the Renaissance. An ancient noble family of Germanic origin in the Vicentine region, they received feudal investitures from both the Empire and the Church. Their domains extended from the town of Trissino, where a castle stood, to other nearby villages, so much so that the Valle dell’Agno was known for centuries as the Valle di Trissino.

Designed by the architect Vincenzo Scamozzi, it has been the main seat of the Municipality of Vicenza since 1901. The building is characterized by classical elements in its facade on Corso Palladio and is organized around the square of the central courtyard.[170]
Commissioned by Pier Francesco Trissino to Vincenzo Scamozzi in 1577 and later expanded by Giambattista Albanese in 1621–1622 for Achille Trissino, the founder’s grandson. The facade remains a fine example of classical architecture, while most of the internal decorations have been lost. It has been a bank’s headquarters since 1906.[171]
Built by Andrea Palladio in 1540 for the brothers Giovanni Giacomo, Pier Antonio, Vincenzo, and Francesco Civena, it was Palladio’s first city palace. It later became the residence of the Trissino dal Vello d’Oro counts, who significantly expanded it. It has been included in the list of Palladian monuments in the city, part of the UNESCO World Heritage List since 1994. It currently houses the Eretenia clinic.[172]
  • Palazzo Trissino Lanza, in Contrà Riale, corner of Stradella degli Stalli
A late Gothic building.[173]
  • Palazzo Trissino Clementi or Trissino Sperotti, in Contrà Porti 14
A 15th-century building in late Gothic style.[174]
  • Palazzo Trissino Conti Barbaran, in Contrà Santo Stefano
Built in the 16th century by Girolamo Trissino.[175]
  • Casa Trissino Menaldo, in Corso Palladio
Now a kindergarten.[176]

V

  • Palazzo Valle Marchesini Sala, in Contrà Busa San Michele
Equipped with a courtyard, large internal garden, and stables, it was commissioned in the second half of the 17th century by Count Ottaviano Valle, who hosted King of Denmark Frederick IV in December 1708. The architect was likely Francesco Albanese.[178] In the 18th century, Count Giorgio Marchesini, affiliated with Freemasonry, established a Masonic lodge here in 1735 and commissioned frescoes by Giambattista Tiepolo and his son Giandomenico, who depicted Masonic symbols and various allegorical images.[179] Some of these frescoes, removed at an unidentified time, are preserved at the Metropolitan Museum in New York and in other museums or collections. The palace had a large stable that could accommodate up to fourteen horses, a "botanical garden," and a "citrus grove."[180][181] The quadraturist for the Tiepolo frescoes was Gerolamo Mengozzi Colonna. The palace was owned by the Raselli counts in the 19th century and by the Sala family from 1899 to 1980. It was restored between 1982 and 1986.[182][183][184][185][186]

Valmarana palaces and houses

The Valmarana were an aristocratic Vicentine family, enrolled in the Venetian patriciate and counted among the so-called Case fatte per soldo (houses made for money).

  • Casa Valmarana, in Corso Fogazzaro 8–10
The first floor features French doors with 16th-century frames, a baluster frieze, and a cornice. The second floor was raised in the 19th century.[177]
Structured as a hexastyle Doric temple with five arches, it was intended by patron Gian Luigi Valmarana to serve as a meeting place for intellectuals and academics. It bears the date 1592 (inauguration of the gardens).[187]
A grandiose palace built in the seventh and eighth decades of the 16th century based on a design by Andrea Palladio. Partially rebuilt after World War II, it remains the only palace to retain its original plaster and marble facade.[188]
  • Palazzo Valmarana Rossi, in Corso Fogazzaro 18
Built in the early Renaissance but restored between the 17th and 18th centuries.[189]
  • Palazzo Valmarana Salvi, corner of Corso Palladio and Contrà Santa Corona
A 16th-century palace, remodeled in the last decades of the 20th century.[190]
  • Palazzetto Valmarana, in Contrà Santa Corona, adjacent to Palazzo Valmarana Salvi
An early Renaissance building.[191]
  • Palazzetto Valmarana, in Contrà Santi Apostoli
A late neoclassical building from 1843 by Carlo Greco.[192]
  • Case Valmarana, facing Giardini Salvi across the Seriola
One, a 1847 building incorporating neo-15th-century motifs, remodeled by Giovanni Maria Negrin Quartesan. Another, a 17th-century structure with a dissociated central Serlian window.[193]
  • Palazzo Valmarana Fogazzaro, in Contrà Carpagnon
In late neoclassical style.[194]
  • Palazzo Valmarana Franco, in Contrà San Faustino 19
A 16th-century building.[195]
  • Palazzo Trento Valmarana, in Contrà Cabianca, corner of Contrà San Faustino
An 18th-century building.[196]

See also

  • Palazzo Vecchia Romanelli, between Contrà Cantarane and Motton San Lorenzo
Built in the mid-18th century based on a design by Giorgio Massari, it has its main facade in the Porta Nova district, which was being developed at the time, and a secondary facade facing the city along the route of the early medieval walls.[197]
  • Palazzo Velo, in Contrà Carpagnon
Built straddling the 17th and 18th centuries, possibly by Giacomo Borella.[198]
  • Palazzo Velo, in Contrà Lodi, corner of Contrà Cantarane
A 1706 work by Francesco Muttoni.[199]
A large and historic palace, seat of the bishop and the Diocesan Museum, rebuilt several times.[200]
  • Palazzetto Vigna, in Contrà Catena
An expression of Vicentine early Renaissance architecture.[201]
  • Palazzo Volpe Maltauro, in Contrà Gazzolle
Built in the mid-16th century as a renovation of a late Gothic building. Now the seat of the Prefecture.[202]
A Gothic building, remodeled in the late 16th century and in the 19th century by Antonio Caregaro Negrin.[203]

Z

  • Palazzina Zamberlan, in Contrà Porton del Luzo 5
A late 19th-century neoclassical building by Carlo Morseletto, constructed on remnants of the first city walls.[204]
  • Palazzetto Zamboni, in Piazza Matteotti 22–24
An interesting example of minor 18th-century architecture.[205]
  • Casa Zen, in Corso Palladio
A building from the second half of the 19th century.[206]

See also

References

  1. ^ Barbieri (2004, pp. 385–86)
  2. ^ Barbieri (2004, p. 276)
  3. ^ Barbieri (2004, p. 79)
  4. ^ Barbieri (2004, p. 674)
  5. ^ Barbieri (2004, p. 696)
  6. ^ Barbieri (2004, pp. 678–80)
  7. ^ Barbieri (2004, p. 648)
  8. ^ Barbieri (2004, p. 544)
  9. ^ Barbieri (2004, pp. 434–40)
  10. ^ Barbieri (2004, p. 141)
  11. ^ Barbieri (2004, p. 104)
  12. ^ Barbieri (2004, pp. 395–404)
  13. ^ Barbieri (2004, p. 262)
  14. ^ Barbieri (2004, p. 693)
  15. ^ Barbieri (2004, p. 661)
  16. ^ Barbieri (2004, pp. 404–06)
  17. ^ Barbieri (2004, p. 705)
  18. ^ Barbieri (2004, pp. 262–63)
  19. ^ Battaini, P.; Magrini, Giovanni Battista; Vaccari, Giovanni; Gribaudi, Pietro (1908). La Nuova Italia: dizionario amministrativo, statistico, industriale, commerciale ... (in Italian). F. Vallardi. p. 616.
  20. ^ Barbieri (2004, pp. 315–17)
  21. ^ Barbieri (2004, p. 431)
  22. ^ Barbieri (2004, pp. 479–83)
  23. ^ Barbieri (2004, pp. 321–22)
  24. ^ Barbieri (2004, p. 352)
  25. ^ Barbieri (2004, p. 263)
  26. ^ Barbieri (2004, pp. 406–10)
  27. ^ Barbieri (2004, pp. 467–68)
  28. ^ Barbieri (2004, p. 270)
  29. ^ Barbieri (2004, pp. 529–30)
  30. ^ Barbieri (2004, p. 148)
  31. ^ Barbieri (2004, p. 258)
  32. ^ Barbieri (2004, pp. 271–72)
  33. ^ Barbieri (2004, p. 540)
  34. ^ Barbieri (2004, pp. 560–68)
  35. ^ Barbieri (2004, p. 94)
  36. ^ Barbieri (2004, pp. 640–43)
  37. ^ Barbieri (2004, pp. 324–25)
  38. ^ Barbieri (2004, pp. 488–89)
  39. ^ Barbieri (2004, p. 540)
  40. ^ Barbieri (2004, p. 530)
  41. ^ Barbieri (2004, pp. 354–60)
  42. ^ Barbieri (2004, pp. 579–80)
  43. ^ Barbieri (2004, pp. 541–42)
  44. ^ Barbieri (2004, pp. 352–53)
  45. ^ Barbieri (2004, p. 429)
  46. ^ Barbieri (2004, pp. 528–29)
  47. ^ Barbieri (2004, pp. 541–42)
  48. ^ Barbieri (2004, p. 133)
  49. ^ Barbieri (2004, pp. 638–39)
  50. ^ Barbieri (2004, p. 324)
  51. ^ Barbieri (2004, p. 145)
  52. ^ Barbieri (2004, p. 654)
  53. ^ Barbieri (2004, p. 143)
  54. ^ Barbieri (2004, p. 257)
  55. ^ Barbieri (2004, pp. 456–57)
  56. ^ Barbieri (2004, pp. 596–98)
  57. ^ Barbieri (2004, p. 323)
  58. ^ Barbieri (2004, p. 142)
  59. ^ Barbieri (2004, pp. 649–51)
  60. ^ Barbieri (2004, p. 248)
  61. ^ Barbieri (2004, p. 140)
  62. ^ Barbieri (2004, p. 142)
  63. ^ Barbieri (2004, pp. 453–54)
  64. ^ Barbieri (2004, p. 142)
  65. ^ Barbieri (2004, p. 135)
  66. ^ Barbieri (2004, p. 86)
  67. ^ Barbieri (2004, p. 655)
  68. ^ Barbieri (2004, p. 594)
  69. ^ Barbieri (2004, p. 600)
  70. ^ Barbieri (2004, p. 134)
  71. ^ Barbieri (2004, pp. 672–73)
  72. ^ Barbieri (2004, pp. 681–82)
  73. ^ Barbieri (2004, pp. 316–17)
  74. ^ Barbieri (2004, p. 573)
  75. ^ Barbieri (2004, pp. 155, 578)
  76. ^ Barbieri (2004, p. 102)
  77. ^ Barbieri (2004, pp. 680–81)
  78. ^ Barbieri (2004, pp. 603–05)
  79. ^ Barbieri (2004, p. 454)
  80. ^ Barbieri (2004, p. 625)
  81. ^ Barbieri (2004, p. 654)
  82. ^ Barbieri (2004, p. 82)
  83. ^ Barbieri (2004, p. 637)
  84. ^ Barbieri (2004, p. 678)
  85. ^ Barbieri (2004, p. 271)
  86. ^ Barbieri (2004, pp. 457–58)
  87. ^ Barbieri (2004, p. 129)
  88. ^ Barbieri (2004, pp. 530–37)
  89. ^ Barbieri (2004, p. 479)
  90. ^ Barbieri (2004, pp. 263–65)
  91. ^ Barbieri (2004, p. 469)
  92. ^ Barbieri (2004, p. 692)
  93. ^ Barbieri (2004, p. 134)
  94. ^ Barbieri (2004, pp. 410–13)
  95. ^ Barbieri (2004, pp. 591–92)
  96. ^ Barbieri (2004, pp. 653–54)
  97. ^ Barbieri (2004, p. 151)
  98. ^ Barbieri (2004, p. 312)
  99. ^ Barbieri (2004, p. 546)
  100. ^ Barbieri (2004, pp. 644–45)
  101. ^ Barbieri (2004, pp. 306–07)
  102. ^ AA.VV. (2002). Dall'ospedale di Sant'Antonio al Palazzo delle opere sociali cattoliche. L'impegno del laicato vicentino (secoli XIV–XXI) [From the Hospital of Sant’Antonio to the Palace of Catholic Social Works. The Commitment of Vicenza’s Laity (14th–21st Centuries)] (in Italian). Vicenza: Diocesi di Vicenza, Tipografia Rumor.
  103. ^ Barbieri (2004, p. 544)
  104. ^ Barbieri (2004, p. 544)
  105. ^ Barbieri (2004, p. 677)
  106. ^ Barbieri (2004, pp. 665–67)
  107. ^ Barbieri (2004, p. 648)
  108. ^ Barbieri (2004, pp. 635–36)
  109. ^ Barbieri (2004, p. 348)
  110. ^ Barbieri (2004, p. 686)
  111. ^ Barbieri (2004, p. 361)
  112. ^ Barbieri (2004, p. 582)
  113. ^ Barbieri (2004, pp. 563–64)
  114. ^ Barbieri (2004, p. 325)
  115. ^ Barbieri (2004, p. 257)
  116. ^ Barbieri (2004, p. 594)
  117. ^ Barbieri (2004, pp. 417–10)
  118. ^ Barbieri (2004, pp. 82, 86, 372, 501)
  119. ^ Barbieri (2004, pp. 372–74)
  120. ^ Barbieri (2004, pp. 449–53)
  121. ^ Barbieri (2004, pp. 441–42)
  122. ^ Barbieri (2004, p. 453)
  123. ^ Barbieri (2004, pp. 442–47)
  124. ^ Barbieri (2004, pp. 447–49)
  125. ^ Barbieri (2004, pp. 434–41)
  126. ^ Barbieri (2004, pp. 440–41)
  127. ^ Barbieri (2004, pp. 458–61)
  128. ^ Barbieri (2004, p. 315)
  129. ^ Barbieri (2004, pp. 255–56)
  130. ^ Barbieri (2004, pp. 256–57)
  131. ^ Barbieri (2004, p. 313)
  132. ^ Barbieri (2004, pp. 455–56)
  133. ^ Barbieri (2004, p. 386)
  134. ^ Barbieri (2004, pp. 668–70)
  135. ^ Barbieri (2004, p. 139)
  136. ^ Barbieri (2004, p. 58)
  137. ^ Barbieri (2004, pp. 325–29)
  138. ^ AA.VV. (1992). Veneto (esclusa Venezia) [Veneto (excluding Venice)] (in Italian). Touring Club. p. 321. ISBN 978-88-365-0441-1.
  139. ^ Barbieri (2004, pp. 307–08)
  140. ^ Barbieri (2004, pp. 116, 129)
  141. ^ Barbieri (2004, pp. 623–24)
  142. ^ Barbieri (2004, pp. 673–74)
  143. ^ Barbieri (2004, p. 490)
  144. ^ Barbieri (2004, pp. 494–95)
  145. ^ Barbieri (2004, pp. 651–52)
  146. ^ "Palazzo Schio". Mediateca Palladio. CISA - Centro internazionale di studi di architettura Andrea Palladio. Retrieved 12 October 2014.
  147. ^ Barbieri (2004, p. 83)
  148. ^ Barbieri (2004, p. 695)
  149. ^ Barbieri (2004, p. 144)
  150. ^ Barbieri (2004, pp. 598–600)
  151. ^ Barbieri (2004, p. 149)
  152. ^ Barbieri (2004, p. 457)
  153. ^ Barbieri (2004, p. 646)
  154. ^ Barbieri (2004, p. 97)
  155. ^ Barbieri (2004, pp. 547–49)
  156. ^ Barbieri (2004, pp. 347–48)
  157. ^ Barbieri (2004, p. 431)
  158. ^ Barbieri (2004, pp. 431–34)
  159. ^ Barbieri (2004, pp. 469–78)
  160. ^ Barbieri (2004, pp. 258–61)
  161. ^ Barbieri (2004, pp. 270–71)
  162. ^ Barbieri (2004, pp. 77, 597)
  163. ^ Barbieri (2004, p. 269)
  164. ^ Barbieri (2004, p. 385)
  165. ^ Barbieri (2004, p. 135)
  166. ^ Barbieri (2004, pp. 590–91)
  167. ^ Barbieri (2004, pp. 583–85)
  168. ^ Barbieri (2004, pp. 574–76)
  169. ^ Barbieri (2004, p. 127)
  170. ^ Barbieri (2004, pp. 376–84)
  171. ^ Barbieri (2004, pp. 273–76)
  172. ^ Barbieri (2004, pp. 640–43)
  173. ^ Barbieri (2004, p. 360)
  174. ^ Barbieri (2004, p. 441)
  175. ^ Barbieri (2004, pp. 525–27)
  176. ^ Barbieri (2004, p. 49)
  177. ^ a b Barbieri (2004, p. 317)
  178. ^ Francesco Albanese entry (in Italian) in the Enciclopedia Treccani
  179. ^ Masonic symbols, present on the ceiling of the Gallery, include: the Phoenix, a symbol of spiritual regeneration; the circle (a reference to eternity); open wings, reminiscent of cherubim, depicted in Solomon’s palace; and intertwined branches, from the tomb of the architect Hiram Abiff. In the Room adjacent to the Gallery, in addition to ovals with the Virtues, there are monochrome decorations evoking Freemasonry: arches, staffs, lit torches, intertwined branches, and the caduceus of Mercury. The allegories of Time and Truth, Prudence, Patriotic Love, Temperance, and Fortitude are present in the Room of Time and Truth. Other allegories represented include Arithmetic, Geometry, Grammar, and Metaphysics. (Rita Menegozzo, Nobili e Tiepolo a Vicenza, "Il Palazzo Marchesini Valle", pp. 73–88, edizioni Nuovo Progetto, Vicenza, 1990).
  180. ^ Archivio di Stato di Vicenza. Catasto del 1810, civico 1791, censo 266.
  181. ^ Vambrosi (28 November 2011). "Tiepolo, Metropolitan indaga". Il Giornale di Vicenza.it. Il Giornale di Vicenza. Archived from the original on 29 April 2015. Retrieved 29 April 2015.
  182. ^ Vittorio Sgarbi, Vittorio Veller, and Mauro Cova, Il Palazzo dei conti Valle, Vicenza, 1986
  183. ^ Barbieri (2004)
  184. ^ "On 21 December 1708, King Frederick IV arrived in Vicenza and stayed for nine consecutive days. He was lodged in the palace of Count Ottavio Valle, located above the churchyard of San Michele, nobly adorned" (Giuseppe Dian, mansionario della cattedrale, in Notizie delli due secoli XVIII e XIX spettanti alla città di Vicenza. Vicenza, Biblioteca Civica Bertoliana).
  185. ^ Works of art in the province of Vicenza at Valle Marchesini-Vicenza Archived 16 October 2014 at the Wayback Machine
  186. ^ Barbieri (2004, p. 618)
  187. ^ Barbieri (2004, p. 251)
  188. ^ Barbieri (2004, pp. 317–20)
  189. ^ Barbieri (2004, pp. 320–21)
  190. ^ Barbieri (2004, pp. 490–93)
  191. ^ Barbieri (2004, pp. 493–94)
  192. ^ Barbieri (2004, p. 645)
  193. ^ Barbieri (2004, p. 252)
  194. ^ Barbieri (2004, p. 675)
  195. ^ Barbieri (2004, p. 581)
  196. ^ Barbieri (2004, p. 574)
  197. ^ Barbieri (2004, pp. 128–29)
  198. ^ Barbieri (2004, pp. 675–77)
  199. ^ Barbieri (2004, pp. 116–17)
  200. ^ Barbieri (2004, pp. 302–04)
  201. ^ Barbieri (2004, pp. 425–26)
  202. ^ Barbieri (2004, pp. 606–07)
  203. ^ Barbieri (2004, pp. 580–81)
  204. ^ Barbieri (2004, p. 635)
  205. ^ Barbieri (2004, pp. 544–45)
  206. ^ Barbieri (2004, p. 272)

Bibliography

  • Barbieri, Franco (2004). Vicenza, ritratto di una città [Vicenza, Portrait of a City] (in Italian). Vicenza: Angelo Colla editore. ISBN 88-900990-7-0.
  • Sacchi, Filippo (1963). Case e palazzi di Vicenza [Houses and Palaces of Vicenza] (in Italian). Vicenza: Neri Pozza editore.
Wikimedia Commons has media related to Category:Palaces in Vicenza.
This article is issued from Wikipedia. The text is available under Creative Commons Attribution-Share Alike 4.0 unless otherwise noted. Additional terms may apply for the media files.