Hi-NRG is uptempo disco or electronic dance music usually featuring synthetic bassline octaves. This list contains some examples of hi-NRG artists and songs. Hi-NRG songs by non-hi NRG artists are also included.
Songs
1970s
Early 1980s
Mid- to late 1980s
1990s
2000s
2010s & 2020s
Albums
Artists
References
- ^ MacDonald, Ian (2003). The People's Music. Pimlico. p. 151. ISBN 978-1-8441-3093-1.
Donna Summer's 'I Feel Love', a vocal topline ad-libbed over a simple chord-shifted sequence, inaugurated Hi-NRG, anticipating the galloping bass line of much post-House software-sequenced music
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Divine's "Native Love," a rowdy hi-NRG anthem previously pillaged by Nitzer Ebb, the Prodigy, even New Order.
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'Relax' tapped into Hi-NRG's remorseless, metronomic precision and orgiastic vibe – the spasming drum roll at the end of the single feels like an amyl nitrite rush.
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- ^ a b Walters, Barry (20 June 2000). "His beat goes on". The Advocate. p. 115. ISSN 0001-8996.
As Bronski Beat's falsetto leader, Somerville made gay politics a hot pop topic with such hi-NRG dance floor staples as "Why?" and "Smalltown Boy"
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This band originally hails from Africa so it's a bit of a surprise to find them performing a commercial slice of Hi-NRG which, compared to other tracks of this ilk, currently doing the rounds, lacks the necessary sparkle.
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- ^ Smith, Richard (1995). Seduced and Abandoned: Essays on Gay Men and Popular Music. London and New York: Cassell. p. 166. ISBN 0-3043-3343-3.
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- ^ "Reviews > Dance/Disco > Recommended > Betty Wright – Sinderella". Billboard. Vol. 97, no. 8. 23 February 1985. p. 67. ISSN 0006-2510.
- ^ Henderson, Alex. "Stock, Aitken & Waterman – Artist Biography". AllMusic. Retrieved 31 March 2015.
It was in 1986 that Stock, Aitken & Waterman produced Bananarama's smash Hi-NRG remake of Shocking Blue's "Venus."
- ^ "Bananarama: Pop in the First Degree". M Magazine. 4 November 2013. Retrieved 31 March 2015.
- ^ a b Henderson, Alex. "Claudja Barry – I, Claudja". AllMusic. Retrieved 31 March 2015.
- ^ "Series: 1000 songs everyone must hear – Part two: Heartbreak". The Observer. The Guardian. 15 March 2009. Retrieved 25 October 2013.
The Communards' hi-NRG version makes it clear that the song is as concerned with sexual satisfaction as it is with romance; perhaps more so.
- ^ "Reviews > Dance > Picks > Communards – Don't Leave Me This Way". Billboard. Vol. 98, no. 38. 20 September 1986. p. 73. ISSN 0006-2510.
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- ^ Watson, Graeme (12 September 2013). "Kim Wilde Talks Pop, Parenthood and PVC". OutInPerth. Retrieved 31 March 2015.
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a version of R.E.M.'s "Losing My Religion" that infuses the soul that Abigail's 1992 Hi-NRG version lacked.
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- ^ Flick, Larry (8 July 1995). "Single Reviews > Dance > Outta Control – Tonight It's Party Time". Billboard. Vol. 107, no. 27. p. 65. ISSN 0006-2510.
- ^ Flick, Larry (19 October 1996). "Reviews & Previews > New & Noteworthy > Gina G. – Ooh, Aah ... Just A Little Bit". Billboard. Vol. 108, no. 42. p. 62. ISSN 0006-2510.
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'Heaven on Earth', crafted by 'Gimme More' producer Danja, is a hi-NRG Moroder-esque dance track whose lyrics veer more into the territory of generic love song fluff
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"I Wanna Go" is all hi-NRG booty calling, with a possible reference to New Order's "Blue Monday" thrown in.
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"Stop Taking My Time" is a Hi-NRG disco romp à la Nordic neighbour Annie Strand and features, amusingly, a rapping infant.
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Overpowered (EMI) was funky in all senses – skittering from glacial electro to hi-NRG disco
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Viva's 11 infectious hi-NRG tracks
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[Tina Charles]'s Indian-British producer, Biddu, hired both men as session musicians, and his work in the fields of Hi-NRG and electronic disco had a profound influence on [Trevor Horn]'s own production aspirations.
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HI-NRG was the club sound that boosted both Evelyn Thomas and the trash dementis of Divine but it also propelled both the Bronski and Frankie Goes To Hollywood.
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Many of Erasure's songs exemplify the post-disco style called hi-N.R.G. -fast and openly artificial, with synthesized riffs bouncing and ticking in every register.
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[Klaus Nomi] worked with Man Parrish, the New York electro and hi-NRG producer, on his self-titled debut album.
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Neil Tennant and Chris Lowe use electronic instruments and work within and across dance-floor genres such as house, Hi-NRG, techno, and many other subgenres.
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Another contender is hi-N.R.G., a fast, cheerful style, first heard in gay San Francisco clubs in the early 1980s and now on the pop Top 40 in hits by Corona and the Real McCoy.
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Eventually, the group worked its way toward Hi-NRG dance music, while also pursuing an adult contemporary ballad direction.
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Owen's debut single Child showcased a more acoustic, psychedelic sound than his Hi-NRG Take That hits.
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See also