Jehan Erart

Jehan Erart (or Erars) (c.1200/10–1258/9) was a trouvère from Arras, particularly noted for his favouring the pastourelle genre. He has left behind eleven pastourelles, ten grand chants, and one serventois.

Erart's presence at Arras can be deduced from his own writings.[1] He was patronised by the wealthy middle and upper classes. In his serventois, a complainte on the death his patron Gherart Aniel, he asked Pierre and Wagon Wion to help him obtain the patronage of the bankers Henri and Robert Crespin. His relationship with two Arras trouvères is apparent in his lyrics, Guillaume le Vinier and Jehan Bretel. He is also mentioned in a work of Guibert Kaukesel, a canon of Arras.

The chief characteristic of Erart's poetry is his preference for short lines, mostly penta-, hexa-, hepta-, and octosyllabic, as opposed to the traditional decasyllable, which does occur in his chansons "Pré ne vergier ne boscaige foillu" and "Encoire sui cil ki a merchi s'atent" and his serventois "Nus chanters".[2] Musically, Erart is syllabic, with a preference for major modes and refrains. His chansons are composed mainly in isometre, but his pastourelles are predominantly heterometric. His music is conservative and rarely exceeds a ninth in range.

There are two death notices for Erart in the necrology of the Confrérie des jongleurs et bourgeois d'Arras. One records a Jehans Erardi dying in 1258 while another records Jehan Erart dying in 1259. It is possible, when considering that his works are preserved in two different sections of the Chansonnier du Roi, that there were two Jehan Erarts, but this is not likely.[1] Three songs attributed to Jehan Erart in one manuscript probably belong to Raoul de Beauvais.

List of compositions

The following compositions are ascribed to Jehan Erart by Robert White Linker.

RS Linker Incipit Genre
1712 154.1 Amours dont je me cuidoie grand chant a(104r) M T
574 154.2 Au tans novel (Que cil oisel Chantent cler sor l'arbroie) pastourelle M
2005 154.3 Au tens pascour pastourelle K N P T
180 154.4 Bone amour qui son repaire grand chant K N O
570 154.5 Dehors Loncpre el bosquel pastourelle a(112v) K N P
1533 154.6 De legier l'entrepris grand chant a(103v) M T
1375 154.7 El mois de mai par un matin pastourelle K N P
644 154.8 Encor sui cil qui a merci s'atent grand chant T
1718 154.9 En Pascour un jour erroie pastourelle a(111r) H(219v) P T X
204 154.10 Hardis sui en l'acointance grand chant M T
823a 154.11 Je ne cuidai mais chanter (tant m'en) grand chant K N O
1627 154.12 Je ne sai mès en quel guise (ne maintenir) grand chant a(103r) K N X
1361 154.13 L'autrier chevauchai mon chemin pastourelle M
558 154.14 L'autrier par une valée pastourelle M T
606 154.15 L'autrier une pastourele pastourelle M
993 154.16 Lés le breuil pastourelle M
1914a 154.16a Li biaus tans ne la saisons del grand chant a(102r)
1663 154.17 Mes cuers n'est mie a moi motet T
485 154.18 Nus chanters mais le mien cuer ne leece serventois T
86 154.19 Par un trés bel jour de mai pastourelle a(112v) I
585 154.20 Pastorel (Lés un boschel) pastourelle M
1240 154.21 Penser ne doit vilanie grand chant K M N P T
1801 154.22 Piecha c'on dist par mauvais oir grand chant T
2055 154.23 Pré ne vergier ne boscage foillu grand chant M T
474a 154.24 Tant ai seü en amours et trouvé grand chant

Notes

  1. ^ a b Theodore Karp, "Erart, Jehan." Grove Music Online. Oxford Music Online (Accessed 13 August 2008), contains a short biographical sketch, plus a discussion of the transmission and style of his work, and a good bibliography.
  2. ^ For a more detailed description of his metres, see Mary O'Neill (2006), Courtly Love Songs of Medieval France: Transmission and Style in the Trouvère Repertoire (Oxford: Oxford University Press), 134–5, with notes 8–12.