Jehan Erart
Jehan Erart (or Erars) (c.1200/10–1258/9) was a trouvère from Arras, particularly noted for his favouring the pastourelle genre. He has left behind eleven pastourelles, ten grand chants, and one serventois.
Erart's presence at Arras can be deduced from his own writings.[1] He was patronised by the wealthy middle and upper classes. In his serventois, a complainte on the death his patron Gherart Aniel, he asked Pierre and Wagon Wion to help him obtain the patronage of the bankers Henri and Robert Crespin. His relationship with two Arras trouvères is apparent in his lyrics, Guillaume le Vinier and Jehan Bretel. He is also mentioned in a work of Guibert Kaukesel, a canon of Arras.
The chief characteristic of Erart's poetry is his preference for short lines, mostly penta-, hexa-, hepta-, and octosyllabic, as opposed to the traditional decasyllable, which does occur in his chansons "Pré ne vergier ne boscaige foillu" and "Encoire sui cil ki a merchi s'atent" and his serventois "Nus chanters".[2] Musically, Erart is syllabic, with a preference for major modes and refrains. His chansons are composed mainly in isometre, but his pastourelles are predominantly heterometric. His music is conservative and rarely exceeds a ninth in range.
There are two death notices for Erart in the necrology of the Confrérie des jongleurs et bourgeois d'Arras. One records a Jehans Erardi dying in 1258 while another records Jehan Erart dying in 1259. It is possible, when considering that his works are preserved in two different sections of the Chansonnier du Roi, that there were two Jehan Erarts, but this is not likely.[1] Three songs attributed to Jehan Erart in one manuscript probably belong to Raoul de Beauvais.
List of compositions
The following compositions are ascribed to Jehan Erart by Robert White Linker.
RS | Linker | Incipit | Genre | ||||||
---|---|---|---|---|---|---|---|---|---|
1712 | 154.1 | Amours dont je me cuidoie | grand chant | a(104r) | M | T | |||
574 | 154.2 | Au tans novel (Que cil oisel Chantent cler sor l'arbroie) | pastourelle | M | |||||
2005 | 154.3 | Au tens pascour | pastourelle | K | N | P | T | ||
180 | 154.4 | Bone amour qui son repaire | grand chant | K | N | O | |||
570 | 154.5 | Dehors Loncpre el bosquel | pastourelle | a(112v) | K | N | P | ||
1533 | 154.6 | De legier l'entrepris | grand chant | a(103v) | M | T | |||
1375 | 154.7 | El mois de mai par un matin | pastourelle | K | N | P | |||
644 | 154.8 | Encor sui cil qui a merci s'atent | grand chant | T | |||||
1718 | 154.9 | En Pascour un jour erroie | pastourelle | a(111r) | H(219v) | P | T | X | |
204 | 154.10 | Hardis sui en l'acointance | grand chant | M | T | ||||
823a | 154.11 | Je ne cuidai mais chanter (tant m'en) | grand chant | K | N | O | |||
1627 | 154.12 | Je ne sai mès en quel guise (ne maintenir) | grand chant | a(103r) | K | N | X | ||
1361 | 154.13 | L'autrier chevauchai mon chemin | pastourelle | M | |||||
558 | 154.14 | L'autrier par une valée | pastourelle | M | T | ||||
606 | 154.15 | L'autrier une pastourele | pastourelle | M | |||||
993 | 154.16 | Lés le breuil | pastourelle | M | |||||
1914a | 154.16a | Li biaus tans ne la saisons del | grand chant | a(102r) | |||||
1663 | 154.17 | Mes cuers n'est mie a moi | motet | T | |||||
485 | 154.18 | Nus chanters mais le mien cuer ne leece | serventois | T | |||||
86 | 154.19 | Par un trés bel jour de mai | pastourelle | a(112v) | I | ||||
585 | 154.20 | Pastorel (Lés un boschel) | pastourelle | M | |||||
1240 | 154.21 | Penser ne doit vilanie | grand chant | K | M | N | P | T | |
1801 | 154.22 | Piecha c'on dist par mauvais oir | grand chant | T | |||||
2055 | 154.23 | Pré ne vergier ne boscage foillu | grand chant | M | T | ||||
474a | 154.24 | Tant ai seü en amours et trouvé | grand chant |
Notes
- ^ a b Theodore Karp, "Erart, Jehan." Grove Music Online. Oxford Music Online (Accessed 13 August 2008), contains a short biographical sketch, plus a discussion of the transmission and style of his work, and a good bibliography.
- ^ For a more detailed description of his metres, see Mary O'Neill (2006), Courtly Love Songs of Medieval France: Transmission and Style in the Trouvère Repertoire (Oxford: Oxford University Press), 134–5, with notes 8–12.