Exergue – on documenta 14
| exergue – on documenta 14 | |
|---|---|
2024 film poster | |
| Directed by | Dimitris Athiridis |
| Written by | Adam Szymszyk Dimitris Athiridis |
| Screenplay by | Dimitris Athiridis |
| Story by | Dimitris Athiridis |
| Produced by | Dimitris Athiridis |
| Cinematography | Dimitris Athiridis |
| Edited by | Dimitris Athiridis Vanessa Zeri Giorgos Kravatis |
| Music by | Ted Regklis Paolo Thorsen-Nagel |
| Distributed by | Faliro House Productions Greek Film Centre |
Release date |
|
Running time | 848 minutes |
| Country | Greece |
| Languages | English German Greek |
Exergue – on documenta 14 is a 2024 Greek documentary film with a runtime of 848 minutes (14 hours and 8 minutes), making it the second-longest non-experimental film ever made. The documentary was directed by Dimitris Athiridis and had its world premiere in February 2024 at the 74th Berlin International Film Festival. The film centers on Adam Szymczyk, the artistic director of Documenta 14, and his team as they prepared for the contemporary art exhibition, which was held in Kassel and Athens in 2017.[1][2]
Plot
The film documents how Adam Szymczyk, the artistic director of Documenta 14, and his team of curators prepared the art exhibition held in Kassel and Athens in 2017.[3] This was the first time the quinquennial art exhibition was split between two locations, a decision that provoked controversy due to logistical challenges and the perceived impact on the exhibition's coherence.[4] The film is divided into 14 chapters, offering a behind-the-scenes view of the institutional art world, examining contemporary art's role in a changing global landscape, and exploring the politics and drama of staging exhibitions.[2]
Production
In 2015, director Dimitris Athiridis began documenting Adam Szymczyk and his team, initially planning a two-hour runtime for the film. During the early editing process, Athyridis informed the film's producer, Christos Konstantakopoulos, that the raw footage he had captured contained significantly more material than could be condensed into the initially planned two-hour runtime.[2]
Release
Upon its release, the film became the longest ever screened at the Berlin International Film Festival, surpassing the previous Berlinale record for the longest film, held by A Lullaby to the Sorrowful Mystery, directed by Filipino filmmaker Lav Diaz, which had a runtime of 485 minutes.[5]
It will have its Australian premiere at the 72nd Sydney Film Festival, where "each screening will take place over three days in 4-5 hour segments with scheduled 15 minute intervals."[6]
Reception
Antoine Thirion of Cinema Scope wrote, "Through its jumbled structure and precision in depicting the curatorial discourse, exergue – on documenta 14 is the opposite of the story of a shipwreck: it is a successful attempt to salvage what demagogy savagely tore down."[7] Alissa Wilkinson of The New York Times described the film as "A formidable survey of the challenges facing the contemporary art world as it wrestles with racism, colonialism, politics and power."[8]
References
- ^ "«Ελληνικό οικονομικό θαύμα αλλά όχι για όλους»". Attica Times (in Greek). Natalie. 17 January 2024. Retrieved 16 January 2025.
- ^ a b c Dams, Tim (16 February 2024). "Why Greek art world doc 'exergue' is splitting 14-hour run-time for its Berlin screening". Screen International. Retrieved 16 January 2025.
- ^ "Berlinale zeigt 14-Stunden-Film über Documenta". Der Spiegel. 2024-01-15. ISSN 2195-1349. Retrieved 2024-01-22.
- ^ Kasiske, Andrea (2017-07-16). "Documenta 14: Quiet farewell from Athens". DW. Retrieved 22 January 2024.
- ^ "Berlin steht vor einem Scherbenhaufen". Monopol Magazin (in German). monopol. 23 January 2024. Retrieved 17 January 2025.
- ^ "exergue – on documenta 14". Sydney Film Festival. 2025-03-31. Retrieved 2025-04-21.
- ^ Thirion, Antoine. "From the Vision to the Nail in the Coffin, and the Resurrection: Dimitris Athiridis on "exergue – on documenta 14"". Cinema Scope. Retrieved 17 January 2025.
- ^ Wilkinson, Alissa (7 October 2024). "At the New York Film Festival, the Most Innovative Work Is Nonfiction". The New York Times. Retrieved 17 January 2025.