Eugène Lourié
Eugène Lourié | |
|---|---|
Евгений Лурье | |
| Born | Yevgeny Lure 8 April 1903 |
| Died | 26 May 1991 (aged 88) Los Angeles, California, U.S. |
| Other names | Gene Lourie |
| Occupation(s) | Production designer, art director, film director, screenwriter, special effects artist, set decorator |
| Relatives | Manuel Ortiz de Zárate (father-in-law) |
Eugène Lourié (Russian: Евгений Лурье, romanized: Yevgeniy Lur'ye; born Yevgeny Lure; 8 April 1903 – 26 May 1991) was a Russian-French filmmaker, who worked variously as a director, production designer, art director, and special effects artist. He was a collaborator of Jean Renoir during the 1930s, when he was called "among the best art directors in French cinema."[1] Later he became known as a director of American science fiction films, like The Beast from 20,000 Fathoms.[2]
Lourié was nominated for an Academy Award in 1969 for Best Visual Effects on the film Krakatoa, East of Java.[3] In 2011, he was posthumously entered into the Art Directors Guild Hall of Fame.
Early years
Lourié was born Yevgeny Lure to Jewish parents in Kharkov (present-day Kharkiv, Ukraine) in 1903.[4] His first experience with cinema was in 1911 when a movie theater opened in Kharkov. In 1919, during the Russian Civil War, he worked on an anti-communist film titled Black Crowes.
After he fled from the Soviet Union, he made his way to Istanbul. While there he made money for a fare to Paris, by painting and drawing movie posters. He even slept in the theater on top of a piano to save money.[5]
Career
Art director and production designer
In the 1930s, he worked as a production designer for such directors as Jean Renoir, Max Ophüls, and René Clair.[5] As an assistant and production designer to Renoir, he worked on such French films as La Grande illusion and La Règle du Jeu.[6] After Renoir had moved to Hollywood in the early 1940s, Lourié moved as well, and worked with other directors including Sam Fuller, Charlie Chaplin, and Robert Siodmak.[1]
Science-fiction and special effects
In 1952, he made his directorial debut with The Beast from 20,000 Fathoms, the first of three dinosaur films that Lourié would direct.[5] The film was profitable,[6] but Lourié has said that he regrets that the film typecast him as a science fiction director.[5] He decided that after his 1961 film, Gorgo, which he directed in 1959, he would stop directing movies because he did not want to direct "the same comic-strip monsters."[6]
Eight years later, he received an Academy Award nomination for his visual effects on Krakatoa, East of Java.[3] Lourié makes a silent cameo appearance in the film, portraying a lighthouse keeper on the coast of Java in 1883 who observes Krakatoa's final, cataclysmic explosion and enters the lighthouse to send news of it by telegraph.[7]
He also contributed special and visual effects to Flight from Ashiya (1964) and Crack in the World (1965).
Return to art department
Throughout the 1970s, Lourié worked on TV shows like Kung Fu, The Delphi Bureau, and The Brian Keith Show. His last directorial credit was as a second unit director for the pilot episode of the notoriously-troubled Supertrain.
In 1980, Lourié designed Clint Eastwood's Bronco Billy, his last feature film credit as an art director.
Lourié had a small acting part in Richard Gere's 1983 picture Breathless, a remake of the French New Wave classic of the same name.[5] He also appeared on an episode of Tales of the Unexpected.
Personal life
Lourié was married to costume designer Laure de Zarate, the daughter of Chilean Cubist painter Manuel Ortiz de Zárate.
Death
Lourié died on 26 May 1991 of a stroke while in the Motion Picture and Television Hospital in Woodland Hills, Los Angeles.[8]
Partial filmography
- A Telephone Call (1932)
- Jeanne (1934)
- The Bread Peddler (1934)
- Dark Eyes (1935)
- The Squadron's Baby (1935)
- The Great Refrain (1936)
- The Lower Depths (1936)
- The Alibi (1937)
- The Messenger (1937)
- Ramuntcho (1938)
- The Lafarge Case (1938)
- The New Rich (1938)
- There's No Tomorrow (1939)
- Cristobal's Gold (1940)
- False Alarm (1940)
- The Beast from 20,000 Fathoms (1953), director
- The Colossus of New York (1958), director
- The Giant Behemoth (1959), director
- Gorgo (1961), director
- Flight from Ashiya (1964)[9]
- Crack in the World (1965)[9]
- Bikini Paradise (1967)
- Krakatoa, East of Java (1969)[9]
- Kung Fu (1972-1975)[10]
See also
References
- ^ a b Brennan, Sandra. "Eugène Lourié > Overview - AllMovie". Allmovie. Retrieved 8 November 2010.
- ^ "Gary Westfahl's Bio-Encyclopedia of Science Fiction Film: Eugene Lourie". www.sfsite.com. Retrieved 2025-06-21.
- ^ a b "Eugène Lourié > Awards - AllMovie". Allmovie. Retrieved 8 November 2010.
- ^ "Eugene Lourie dies, art director was 88". The Hour. 30 May 1991. Retrieved 8 November 2010.
- ^ a b c d e Weaver, Tom (19 February 2003). Double Feature Creature Attack: A Monster Merger of Two More Volumes of Classic Interviews. McFarland. p. 202. ISBN 0-7864-1366-2.
- ^ a b c Hunter, I. Q. (1999). British Science Fiction Cinema. Taylor & Francis. p. 89. ISBN 0-415-16868-6.
- ^ Model Ships in the Cinema: Krakatoa, East of Java, 1969, caption of photo of lighthouse keeper operating telegraph.
- ^ "Eugene Lourié, film art director for half-century". Fort Worth Star-Telegram. 30 May 1991. Archived from the original on 8 October 2018. Retrieved 8 November 2010.
- ^ a b c Model Ships in the Cinema: Krakatoa, East of Java, 1969, including quotes from Lourié, Eugene, My Work in Films, Harcourt Brace Jovanovich, 1985 ISBN 0-15-662342-0.
- ^ "Eugène Lourié. Filmography. Art director". IMDb. 2021. Retrieved May 14, 2021.