Educational resources for electronic literature
Electronic literature is a literary genre defined as “born digital” works that use computational media to create artistic literary effects with an expanded repertoire that goes well beyond words.[1]
See the overall links to electronic literature authors, critics, resources, and works.
Syllabi from courses
Digital Storytelling at Washington State University at Vancouver in Spring 2023 with Dene Grigar taught At Nightfall. A Goldfish, Ghost, First Draft of the Revolution (Emily Short), Figurski at Findhorn on Acid (Richard Holeton), Hours of the Night (Stephanie Strickland).
Critical Making of Contemporary Information through Digital-born Creative Works with Shanmugapriya T at University of Toronto in Winter 2022
Applachian State University with Leonardo Flores:
- Underrepresented Voices in Digital Literature ENG 2369[2] included Uncle Roger (Judy Malloy), My Body a Wunderkammer (Shelley Jackson), The Hunt for the Gay Planet (Anna Anthropy), Quing's Quest VII: The Death of Videogames!” (Dietrich Squinkifer-Squinky), With Those We Love Alive (Porpentine), Galatea (Emily Short), Twisty Little Passages (Nick Monfort), “c-ya-laterrrr” (Dan Hett), and “Please Answer Carefully” (litrouke).
- The Materials of Poetry English 3704[3] included hyperpoems (William Dickey), Seattle Drift (Jim Andrews), Ask Me for the Moon (John David Zuern), The Sweet Old Etcetera (Alison Clifford), Fitting the Pattern (Christine Wilks),“Between Page to Screen” (Amaranth Borsuk) , Requiem (Caitlin Fisher), The Water Cave (Andy Campbell, Magpie (Andy Campbell and Judi Alston), and Monde 4 “Alice” (Marc Veyrat)
- Electronic Literature and Digital Writing Eng 5535 Summer 2022[4] included Uncle Roger (Judy Malloy), Underground Kingdom (Edward Packard), Living Will (Mark Marino), Birds Singing Other Birds’ Songs (María Mencía), My Boyfriend Came Back From the War (Olia Lialina)
- Postmodern Experimental Poetry English 4795/6 Spring 2021[5] included Cent Mille Milliards de Poèmes (Raymond Queneau), Eunoia (Christian Bök), The Black Book (Jean Keller), and The Deletionist (Amaranth Borsuk)
Natalie Federova's Text in Art courses[6] included Michael Joyce (afternoon, a story), Patchwork Girl (Shelley Jackson), Shade (Andrew Plotkin), The Facade (Michael Mateas and Andrew Stern), The Intruder (Natalie Bookchin), ROMAN (Roman Leibov), and I cannot remember time I didn't need you (Danielle Brathwaite-Shirley).
Al-gazali Bohari has a questionnaire on At Nightfall, the Goldfish, a hypertext that won the 2024 New Media Writing Prize.[7]
Christopher Funkhouser's 2008 Digital Poetry syllabus[8]
References
- ^ "Teaching Electronic Literature – To facilitate and promote the teaching of electronic literature in academic settings". Retrieved 2025-06-20.
- ^ "ENG 2360: American Literature and the Arts – English 2360: American Literature and the Arts". Retrieved 2024-04-20.
- ^ "The Materials of Poetry – English 3740: Studies in Poetry". 2022-12-12. Retrieved 2024-04-20.
- ^ "Electronic Literature and Digital Writing – Just another My Sites site". 2022-06-17. Retrieved 2024-04-20.
- ^ "Postmodern Experimental Poetry – English 4795/6 – Spring 2021 – Prof. Leonardo Flores". 2023-05-01. Retrieved 2024-04-20.
- ^ "Syllabus". Text in Art. 2018-09-09. Retrieved 2024-04-21.
- ^ Bohari, Al-Gazali. "HYPERTEXT FICTION - At Nightfall, the Goldfish".
- ^ "Digital Poetry (HSS 403) Summer 2008 (Session 2)". web.njit.edu. Retrieved 2025-07-05.