Eduardo González Lanuza

Eduardo González Lanuza (July 11, 1900 - July 17, 1984) was an Argentine poet born in Santander, Spain. One of his best known work is "Poem for Being Recorded in a Phonograph Disc" (1932). He also was part of the Ultraist movement and one of the founders of Prisma and Proa magazines as well as contributor in Martín Fierro magazine.[1][2]

Selected works

  • Prisms (1924) (poetry)[2]
  • Coven (1927) (short stories)
  • While the Clock Strikes Six O'Clock (1931) co-written with Armando Villar (theatre)
  • Thirtysome Poems (1932) (poetry)
  • Mr. Pulcinella's Walking Stick (1935) (theatre)
  • The Cutthroating of the Innocent (1938) (poetry)
  • Not Even the Flood (1939) (theatre)
  • Handful of Songs (1940) (poetry)
  • Passable Glass (1943) (poetry)
  • Ode to Joy and Other Poems (1949) (poetry)
  • Christmas and Passion Altarpieces (1953) (poetry)
  • Sum and Go On (1960) (poetry)
  • Christmas Mystery (1966) (theatre)
  • Profession of Faith (1970) (poetry)
  • Hai-Kais (1977) (poetry)
  • The Pimpirigallo and Other Little Birds (1980) (poetry)
  • Tunes for Songs (1981)

References

  1. ^ ""Eduardo González Lanuza," Enciclopedia Microsoft® Encarta® Online 2008". Archived from the original on 1 February 2009. Retrieved 13 October 2008.
  2. ^ a b www.borges.pitt.edu https://www.borges.pitt.edu/index.php/i/gonzalez-lanuza-eduardo. Retrieved 2024-11-01. {{cite web}}: Missing or empty |title= (help)