A Drum Is a Woman |
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Released | 1957 |
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Recorded | September 17, 24, 25 & 28, October 23 and December 6, 1956 (1956-12-06) |
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Genre | Jazz |
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Label | Columbia |
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A Drum Is a Woman is a musical allegory by American pianist, composer, and bandleader Duke Ellington and his long-time musical collaborator Billy Strayhorn. It tells the story of Madam Zajj, the personification of African rhythm, and Carribee Joe, who has his roots firmly in the jungle with his drums. Zajj travels out into the world seeking fame and sophistication and melds with the influences of cultures she weaves through the story, which gives a brief history of the rise of jazz and bebop.
Originally recorded for the Columbia label in 1956, it was produced for television on the US Steel hour on May 8, 1957.[5] The album was re-released on CD in 2004 with a bonus track. A stage performance was produced by Marc Stager June 24, 1988, at Symphony Space in New York City with pianist and arranger Chris Cherney leading the orchestra and Duke's son Mercer Ellington narrating.[6]
Reception
Jack Tracy stated in his five-star DownBeat review:
"A Drum is a Woman is the most ambitious project attempted by Duke Ellington in years. It is a capsule history of jazz, it is a history of the Negro in America, it is a history of the Ellington orchestra, and it is a folk opera... But more than any of these it is a revealing self-portrait of Duke Ellington."
The New York Times reviewer John S. Wilson commented on the 1988 performance:
Unlike other extended Ellington works, which are primarily if not entirely instrumental, "A Drum Is a Woman" is developed through songs and a narration with only occasional full orchestral passages. It was powerful, rhythmic and kaleidoscopic, with a strong vocal anchor at Friday's performance in Claudia Hamilton, a commanding presence as Madam Zajj. Luke Dogen's Carabea [sic] Joe was a genial, good-time companion with a strong inner core that emerged in a positively stated love song, "You Better Know It."[7]
The AllMusic review by Scott Yanow awarded the album 2 stars and stated: "Dominated by vocals and narration, the music often plays a backseat to the story, which is worth hearing twice at the most".[2]
Track listing
All tracks are written by Duke Ellington and Billy Strayhorn.
Title |
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1. | "A Drum Is a Woman" | 3:36 |
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2. | "Rhythm Pum Te Dum" | 2:53 |
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3. | "What Else Can You Do with a Drum" | 1:50 |
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4. | "New Orleans" | 2:29 |
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5. | "Hey, Buddy Bolden" | 4:51 |
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6. | "Carribee Joe" | 3:57 |
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7. | "Congo Square" | 4:55 |
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8. | "A Drum Is a Woman, Part 2" | 2:47 |
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9. | "You Better Know It" | 2:45 |
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10. | "Madam Zajj" | 2:47 |
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11. | "Ballet of the Flying Saucers" | 5:33 |
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12. | "Zajj's Dream" | 3:02 |
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13. | "Rhumbop" | 2:16 |
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14. | "Carribee Joe, Part 2" | 3:05 |
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15. | "Finale" | 3:51 |
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16. | "Pomegranate" (Bonus track on CD reissue) | 2:46 |
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- Recorded at Columbia Records 30th Street Studio, New York on September 17 (tracks 1, 6, 7 & 13), September 24 (tracks 2 & 3), September 25 (tracks 5, 8, 10 & 14), September 28 (tracks 4 & 12), October 23 (track 11) & December 6 (tracks 9 & 15), 1956.
Personnel
- Duke Ellington – piano, narration
- Cat Anderson, Willie Cook, Ray Nance, Clark Terry – trumpet
- Quentin Jackson, Britt Woodman – trombone
- John Sanders – valve trombone
- Jimmy Hamilton – clarinet, tenor saxophone
- Rick Henderson – alto saxophone
- Russell Procope – alto saxophone, clarinet
- Paul Gonsalves – tenor saxophone
- Harry Carney – baritone saxophone
- Jimmy Woode – bass
- Sam Woodyard – – drums
- Cándido Camero – percussion
- Joya Sherrill (5, 6, 12, 13, 14), Margaret Tynes (1, 8, 15, 16), Ozzie Bailey (3, 9, 15, 16) – vocals
References
- ^ Down Beat: May 2, 1957 Vol. 24, No. 9
- ^ a b Yanow, S. "A Drum Is a Woman". Allmusic.com. Retrieved April 7, 2011.
- ^ Swenson, J., ed. (1985). The Rolling Stone Jazz Record Guide. USA: Random House/Rolling Stone. p. 68. ISBN 0-394-72643-X.
- ^ Cook, Richard; Morton, Brian (2008). The Penguin Guide to Jazz Recordings (9th ed.). Penguin. p. 434. ISBN 978-0-141-03401-0.
- ^ "United States Steel Hour A Drum Is a Woman".
- ^ Wilson, John S. (June 28, 1988). "A Drum Is a Woman review at NY Times". The New York Times. Retrieved April 7, 2011.
- ^ Wilson, John S. (June 28, 1988). "Review/Music; Ellington's 'Drum Is A Woman'". The New York Times. Retrieved September 12, 2012.
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Studio albums |
- Harlem Jazz, 1930
- Ellingtonia, Vol. One
- Ellingtonia, Vol. Two
- Braggin' in Brass: The Immortal 1938 Year
- The Blanton–Webster Band
- Never No Lament: The Blanton-Webster Band
- Smoke Rings
- Liberian Suite
- Great Times!
- Masterpieces by Ellington
- Ellington Uptown
- The Duke Plays Ellington
- Ellington '55
- Dance to the Duke!
- Ellington Showcase
- Historically Speaking
- Duke Ellington Presents...
- The Complete Porgy and Bess
- Studio Sessions, Chicago 1956
- Such Sweet Thunder
- Studio Sessions 1957 & 1962
- Ellington Indigos
- Black, Brown and Beige
- Duke Ellington at the Bal Masque
- The Cosmic Scene
- Happy Reunion
- Jazz Party
- Anatomy of a Murder
- Festival Session
- Blues in Orbit
- The Nutcracker Suite
- Piano in the Background
- Swinging Suites by Edward E. and Edward G.
- Unknown Session
- Piano in the Foreground
- Paris Blues
- Featuring Paul Gonsalves
- Midnight in Paris
- Studio Sessions, New York 1962
- Afro-Bossa
- The Symphonic Ellington
- Duke Ellington's Jazz Violin Session
- Studio Sessions New York 1963
- My People
- Ellington '65
- Duke Ellington Plays Mary Poppins
- Ellington '66
- Concert in the Virgin Islands
- The Popular Duke Ellington
- Far East Suite
- The Jaywalker
- Studio Sessions, 1957, 1965, 1966, 1967, San Francisco, Chicago, New York
- ...And His Mother Called Him Bill
- Second Sacred Concert
- Studio Sessions New York, 1968
- Latin American Suite
- The Pianist
- New Orleans Suite
- Orchestral Works
- The Suites, New York 1968 & 1970
- The Intimacy of the Blues
- The Afro-Eurasian Eclipse
- Studio Sessions New York & Chicago, 1965, 1966 & 1971
- The Intimate Ellington
- The Ellington Suites
- This One's for Blanton!
- Up in Duke's Workshop
- Duke's Big 4
- Mood Ellington
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Live albums | |
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Collaborations | |
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Compositions | by Billy Strayhorn | |
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by Juan Tizol | |
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Orchestra members | |
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Related | |
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Years given are for the recording(s), not first release. |
As leader or co-leader | |
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With Duke Ellington | |
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With Johnny Hodges | |
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With Quincy Jones | |
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With Herbie Mann | |
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With Oliver Nelson | |
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With others |
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- Gloomy Sunday and Other Bright Moments (Bob Brookmeyer, 1961)
- Soul Summit Vol. 2 (Gene Ammons, 1961)
- Late Hour Special (Gene Ammons, 1961–62)
- Velvet Soul (Gene Ammons, 1962)
- One Foot in the Gutter (Dave Bailey, 1960)
- Gettin' Into Somethin' (Dave Bailey, 1960)
- Goodies (George Benson, 1968)
- Bobo's Beat (Willie Bobo, 1968)
- Jam Session (Clifford Brown, 1954)
- Ruth Brown '65 (Ruth Brown, 1964)
- Who Is Gary Burton? (1962)
- Byrd at the Gate (Charlie Byrd, 1963)
- Son of Drum Suite (Al Cohn, 1960)
- The Magic Touch (Tadd Dameron, 1962)
- Afro-Jaws (Eddie "Lockjaw" Davis, 1960)
- Trane Whistle (Eddie "Lockjaw" Davis, 1960)
- Listen to Art Farmer and the Orchestra (1962)
- Ella Abraça Jobim (Ella Fitzgerald, 1980–81)
- Big Band Bossa Nova (Stan Getz, 1962)
- Stan Getz Plays Music from the Soundtrack of Mickey One (1965)
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- Carnegie Hall Concert (Dizzy Gillespie, 1961)
- Cookin' (Paul Gonsalves, 1957)
- The Big Soul-Band (Johnny Griffin, 1960)
- White Gardenia (Johnny Griffin, 1961)
- Homage to Duke (Dave Grusin, 1993)
- The Further Adventures of El Chico (Chico Hamilton, 1966)
- It's About Time (Jimmy Hamilton, 1961)
- You Better Know It!!! (Lionel Hampton, 1964)
- Really Big! (Jimmy Heath, 1960)
- Friends Old and New (John Hicks, 1992)
- Yoyogi National Stadium, Tokyo 1983: Return to Happiness (JATP, 1983)
- Budd Johnson and the Four Brass Giants (1960)
- J.J.! (J.J. Johnson, 1964)
- Goodies (J.J. Johnson, 1965)
- Concepts in Blue (J.J. Johnson, 1980)
- Summit Meeting (Elvin Jones, 1977)
- Down Home (Sam Jones, 1962)
- At Newport '63 (Lambert, Hendricks & Bavan, 1963)
- The Centaur and the Phoenix (Yusef Lateef, 1960)
- Themes from Mr. Lucky, The Untouchables and Other TV Action Jazz (Mundell Lowe, 1960)
- Satan in High Heels (Mundell Lowe, 1961)
- The Soul of Hollywood (Junior Mance, 1962)
- The Jazz Version of "How to Succeed in Business without Really Trying" (Gary McFarland, 1961)
- Tijuana Jazz (Gary McFarland, 1965)
- Mingus Revisited/Pre-Bird (Charles Mingus, 1960)
- The Complete Town Hall Concert (Charles Mingus, 1962)
- Smooth as the Wind (Blue Mitchell, 1960–61)
- A Sure Thing (Blue Mitchell, 1962)
- Jazz Dialogue (Modern Jazz Quartet, 1965)
- Gerry Mulligan and the Concert Jazz Band at the Village Vanguard (1960)
- Gerry Mulligan '63 (Gerry Mulligan, 1962)
- That's How I Love the Blues! (Mark Murphy, 1962)
- Nine Flags (Chico O'Farrill, 1966)
- Oscar Peterson and the Trumpet Kings – Jousts (1974)
- The Alternate Blues (Oscar Peterson, 1980)
- The Trumpet Summit Meets the Oscar Peterson Big 4 (1980)
- Basically Duke (Oscar Pettiford, 1954)
- The Trumpet Kings Meet Joe Turner (Big Joe Turner, 1974)
- Bossa Nova Carnival (Dave Pike, 1962)
- Jazz for the Jet Set (Dave Pike, 1965)
- Sonny Rollins and the Big Brass (1958)
- New Fantasy (Lalo Schifrin, 1964)
- Once a Thief and Other Themes (Lalo Schifrin, 1965)
- Hobo Flats (Jimmy Smith, 1963)
- The Matadors Meet the Bull (Sonny Stitt, 1965)
- I Keep Comin' Back! (Sonny Stitt, 1966)
- Taylor Made Jazz (Billy Taylor, 1959)
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- Kwamina (Billy Taylor, 1961)
- Out of the Storm (Ed Thigpen, 1966)
- Devil May Care (Teri Thornton, 1960–61)
- Joyride (Stanley Turrentine, 1965)
- Live at Newport (McCoy Tyner, 1963)
- Dinah Jams (Dinah Washington, 1954)
- Uhuru Afrika (Randy Weston, 1960)
- At Newport '63 (with Joe Williams, 1963)
- New York, New Sound (Gerald Wilson, 2003)
- Kai Olé (Kai Winding, 1961)
- The Colorful Strings of Jimmy Woode (Jimmy Woode, 1957)
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