'S Make It (slang for 'Let's go')[1] is a recording by the hard bop Art Blakey jazz ensemble. It was recorded in Los Angeles in 1964 and issued on the Limelight label.[2][3][4] Following the departure of stars from his 1961 to 1964 band, Freddie Hubbard, Wayne Shorter and Cedar Walton, it includes previous Blakey alumni and newer players.[5] This was trombonist Curtis Fuller's last recording as a regular member of the group, though he would return to record sporadically with Blakey in the 1970s and 80s. The album was re-released on Verve in 2004.[6]
Reception
Jeffery S. McMillan has called the release one of Blakey's most underrated works and that it exemplifies his 1964–1965 work.[8] In a review in the December 1965 issue of Black World, the title track is described as "a diabolical concept, a dark image, invoking the innermost caverns of Manhattan."[1] David Rickert calls the album "a fine Messengers album and a good example of the drummer's consistently satisfying work."[6] Russ Musto referred to the release as a "return to a more soulful sound".[9] Ken Dryden stated in his Allmusic review that "It's a shame that this was the only recording by this particular lineup of the Jazz Messengers, as [John] Gilmore's strong blowing complements Morgan very well".[5]
Track listing
Personnel
Musicians
Production
- Jack Tracy – producer
- Ken Druker – executive producer
- Pete Romano – engineer
- Dave Wiechman – engineer
- Kip Smith – mixing
- Leonard Feather – liner notes
- Don Bronstein – cover photo
References
- ^ a b "On Record". Black World. 15 (2): 70–71. December 1965.
- ^ Art Blakey chronology accessed June 6, 2013
- ^ Matsubayashi, K. Mercury Records Collection: LS-86001: 'S Make It / Art Blakey And The Jazz Messengers, accessed January 22, 2018
- ^ Gourse, Leslie (2002). Art Blakey: Jazz Messenger. Schirmer Trade Books. p. 91. ISBN 978-0-8256-7272-9. Retrieved June 15, 2013.
- ^ a b c Dryden, Ken. "'S Make It: Review". Allmusic. Retrieved June 3, 2013.
- ^ a b Rickert, David (September 15, 2004). "Art Blakey & the Jazz Messengers: S Make It". All About Jazz. Retrieved June 3, 2013.
- ^ Cook, Richard; Brian Morton (2008). The Penguin Guide to Jazz Recordings. The Penguin Guide to Jazz (9th ed.). London: Penguin. p. 134. ISBN 978-0-14-103401-0.
- ^ McMillan, Jeffery S. (2008). DelightfuLee: The Life and Music of Lee Morgan. University of Michigan Press. p. 143. ISBN 978-0-472-03281-5. Retrieved June 15, 2013.
- ^ Musto, Russ (December 14, 2004). "Art Blakey and the Jazz Messengers Return". All About Jazz. Retrieved June 3, 2013.
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Studio albums | |
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Live albums | |
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Compilation albums | |
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Soundtrack albums | |
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Art Blakey solo albums | |
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Related | |
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Years given are for the recording(s), not first release, unless stated otherwise. |
As leader or co-leader |
- Hells Bells (1975)
- Steadfast (1975)
- After the Morning (West 54, 1979)
- Some Other Time (1981)
- John Hicks (1982)
- In Concert (1984)
- Inc. 1 (1985)
- Luminous (and Elise Wood, 1985–88)
- Two of a Kind (and Ray Drummond, 1986–87)
- I'll Give You Something to Remember Me By (1987)
- East Side Blues (1988)
- Naima's Love Song (1988)
- Oleo (New York Unit, 1989)
- Rhythm-a-Ning (and Kenny Barron, 1989)
- Blue Bossa (New York Unit, 1990)
- Is That So? (1990)
- Live at Maybeck Recital Hall, Volume Seven (1990)
- Power Trio (1990)
- St. Thomas: Tribute to Great Tenors (1991)
- Tribute to George Adams (1991–92)
- After the Morning (Dominic Sciscente Music, 1992)
- Blues March: Portrait of Art Blakey (1992)
- Crazy for You (1992)
- Friends Old and New (1992)
- Moanin': Portrait of Art Blakey (1992)
- Now's the Time (New York Unit, 1992)
- Over the Rainbow (New York Unit, 1992)
- Single Petal of a Rose (1992)
- The Missouri Connection (and Jay McShann, 1992)
- Beyond Expectations (1993)
- Lover Man: A Tribute to Billie Holiday (1993)
- Akari (New York Unit, 1994)
- Duality (and Peter Leitch, 1994)
- Gentle Rain (1994)
- In the Mix (1994)
- Heart Beats (Keystone Trio, 1995)
- Piece for My Peace (1995)
- Cry Me a River (1997)
- Newklear Music (Keystone Trio, 1997)
- Nightwind: An Erroll Garner Songbook (1997)
- Something to Live For: A Billy Strayhorn Songbook (1997)
- Trio + Strings (1997)
- Hicks Time (released 1998)
- Impressions of Mary Lou (1998)
- Beautiful Friendship (and Elise Wood, 2000)
- Music in the Key of Clark (2001)
- Fatha's Day: An Earl Hines Songbook (2003)
- Twogether (with Frank Morgan, 2005–6)
- I Remember You (2006)
- On the Wings of an Eagle (2006)
- Sweet Love of Mine (2006)
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With Art Blakey | |
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With Arthur Blythe | |
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With David Murray | |
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With Pharoah Sanders | |
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With others |
- Solid! (Eric Alexander, 1998)
- Sunday in New York (Eric Alexander, 2005)
- Eby (Hamiet Bluiett, 1984)
- Fast Last! (Lester Bowie, 1974)
- Now It's My Turn (Betty Carter, 1976)
- The Audience with Betty Carter (1979)
- It's Not About the Melody (Betty Carter, 1992)
- Gardenias for Lady Day (James Carter, 2003)
- The Bassist: Homage to Diversity (Richard Davis, released 2001)
- Structurally Sound (Booker Ervin, 1966)
- Flying Colors (Ricky Ford, 1980)
- Interpretations (Ricky Ford, 1982)
- Awakening (Sonny Fortune, 1985)
- The Outside Within (Chico Freeman, 1978)
- Spirit Sensitive (Chico Freeman, 1978–79)
- Habana (Roy Hargrove, 1997)
- Again and Again (Oliver Lake, 1991)
- 52nd Street Themes (Joe Lovano, 1999)
- On This Day ... Live at The Vanguard (Joe Lovano, 2002)
- Streams of Expression (Joe Lovano, 2005)
- Hi Voltage (Hank Mobley, 1967)
- Taru (Lee Morgan, 1968)
- Staying on the Watch (Sonny Simmons, 1966)
- Live at the Loosdrecht Jazz Festival (Charles Tolliver, 1972)
- Love Remains (Bobby Watson, 1986)
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Year(s) indicated are for the recording(s), not first release. |
As leader or co-leader | |
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With Art Blakey & The Jazz Messengers | |
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With Hank Mobley | |
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With others |
- Minor Move (Tina Brooks, 1958)
- Blue Train (John Coltrane, 1957)
- Intensity (Charles Earland, 1972)
- Charles III (Charles Earland, 1972)
- Brass Shout (Art Farmer, 1959)
- Sliding Easy (Curtis Fuller, 1959)
- The Curtis Fuller Jazztet (1959)
- Images of Curtis Fuller (1960)
- Dizzy in Greece (Dizzy Gillespie, 1957)
- Birks' Works (Dizzy Gillespie, 1957)
- Dizzy Gillespie at Newport (Dizzy Gillespie, 1957)
- Benny Golson and the Philadelphians (Benny Golson, 1958)
- A Blowin' Session (Johnny Griffin, 1957)
- Mode for Joe (Joe Henderson, 1966)
- Last Chorus (Ernie Henry, 1957)
- Grass Roots (Andrew Hill, 1968)
- Lift Every Voice (Andrew Hill, 1969)
- Flute-In (Bobbi Humphrey, 1971)
- The Prime Element (Elvin Jones, 1969)
- Drums Around the World (Philly Joe Jones, 1959)
- The Great Wide World of Quincy Jones (1959)
- Cliff Jordan (Clifford Jordan, 1957)
- Kelly Great (Wynton Kelly, 1959)
- Greasy Kid Stuff! (Harold Mabern, 1970)
- Jacknife (Jackie McLean, 1965)
- Consequence (Jackie McLean, 1965)
- Evolution (Grachan Moncur, 1963)
- Introducing Wayne Shorter (1959)
- Night Dreamer (Wayne Shorter, 1964)
- House Party (Jimmy Smith, 1957–58)
- The Sermon! (Jimmy Smith, 1957–58)
- Mr. Natural (Stanley Turrentine, 1964)
- Tender Moments (McCoy Tyner, 1967)
- Easterly Winds (Jack Wilson, 1967)
- Mother Ship (Larry Young, 1969)
- Love Bug (Reuben Wilson, 1969)
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